A work in constant progress (and occasional regress).
Birthplace:
Barnsley, South Yorkshire, England, UK
Rowan Dinar Athale is a British-Indian Film Director and Screenwriter from Barnsley, South Yorkshire. Rowan Athale made his feature-film debut as both writer and director with the acclaimed heist thriller - The Rise. Premiering internationally at TIFF, Rowan and the film went on to be nominated for numerous awards, including the Douglas Hickox Award at the BIFA's, Best Newcomer at the BFI LFF and the Discovery award at TIFF. In the summer of 2017 Rowan directed his second feature film, Strange But True. A noir-thriller, the film is produced by Fred Berger and stars Gregg Kinnear, Amy Ryan, Nick Robinson, Margaret Qualley, Brian Cox and Blythe Danner. CBS are releasing the film in America in 2018. Rowan is currently casting his next feature as director - Sci-Fi Thriller Little America. Written by Rowan Athale, Little America will be produced by Michael Bay and Platinum Dunes. Rowan has received several accolades as director and writer, including being named a Screen International Star of Tommorrow prior to making his feature debut; and being named as a BAFTA Breakthrough Brit upon it's release. Rowan is a partner in British production company Hook Pictures. He is the brother of composer, and frequent collaborator, Neil Dinar Athale.
Director:
2012 The Rise
2019 Strange but True
???? Giant
Executive Producer:
2012 The Rise
2019 Strange but True
2019 Tales from the Lodge
???? Giant
Screenplay:
2012 The Rise
2019 Strange but True
2019 Tales from the Lodge
2021 The Vault
???? Giant
Writer:
2012 The Rise
2017 Revolt
2019 Strange but True
2019 Tales from the Lodge
2021 Outside the Wire
2021 The Vault
???? Giant
Writer:
2020 Gangs of London
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.