A work in constant progress (and occasional regress).
Birthplace:
Shiba, Tokyo, Japan
Born:
June 25, 1935
Died:
February 7, 1992
Shinsuke Ogawa (小川紳介, Ogawa Shinsuke) (25 June 1935 - 7 February 1992) was a Japanese documentary film director. Ogawa and Noriaki Tsuchimoto have been called the "two figures [that] tower over the landscape of Japanese documentary." Ogawa began his career at Iwanami Productions (Iwanami Eiga) making PR (public relations) films alongside other important directors such as Tsuchimoto, Kazuo Kuroki, Yōichi Higashi, and Susumu Hani. Turning independent, he first made documentaries about radical political movements in 1960s and 1970s Japan, most famously the "Sanrizuka" or "Narita" series, which recorded the struggle by farmers and student protesters to prevent the construction of the Narita International Airport in Sanrizuka, Chiba Prefecture. He won the Directors Guild of Japan New Directors Award for Summer in Narita in 1970. Ogawa's was a committed form of documentary, which clearly took the side of those combatting unjust power. A growing sense that he did not understand the life of the farmers he was filming, however, led Ogawa and his crew, collectively called Ogawa Productions, to leave for Magino in Yamagata Prefecture where they spent decades filming the life and histories of everyday farmers while living with them and pursuing agriculture. He often worked with the cinematographer Masaki Tamura. The "Magino" films became the epitome of Ogawa's stance towards documentary: that one can only record a reality that one has been truly immersed in. Ogawa was influential in the creation of the Yamagata International Documentary Film Festival, where the top prize in the Asia program was named after him. The film Devotion by Barbara Hammer is about Ogawa Productions.
Assistant Director:
1962 Hokkaido, My Love
Director:
1962 Hokkaido, My Love
1966 Sea of Youth
1967 Report from Haneda
1967 The Oppressed Students
1968 The Battle Front for the Liberation of Japan – Summer in Sanrizuka
1970 Sanrizuka: The Three Day War
1970 Winter In Sanrizuka
1971 Sanrizuka: Peasants of the Second Fortress
1972 Sanrizuka: The Building of Iwayama Tower
1973 Sanrizuka: Heta Village
1975 Dokkoi! Songs from the Bottom
1977 Sanrizuka: The Sky of May
1977 The Magino Village Story: Raising Silkworms
1978 The Magino Village Story: Pass
1982 Furuyashiki: A Japanese Village
1987 Magino Village: A Tale
2001 Red Persimmons
Editor:
1962 Hokkaido, My Love
1966 Sea of Youth
1967 Report from Haneda
1967 The Oppressed Students
1968 The Battle Front for the Liberation of Japan – Summer in Sanrizuka
1970 Sanrizuka: The Three Day War
1970 Winter In Sanrizuka
1971 Sanrizuka: Peasants of the Second Fortress
1972 Sanrizuka: The Building of Iwayama Tower
1973 Sanrizuka: Heta Village
1975 Dokkoi! Songs from the Bottom
1977 Sanrizuka: The Sky of May
1977 The Magino Village Story: Raising Silkworms
1978 The Magino Village Story: Pass
1982 Furuyashiki: A Japanese Village
1987 Magino Village: A Tale
1991 A Movie Capital
2001 Red Persimmons
Producer:
1957 Chiisana gen-ei
1958 Yamani ikiru kora
1962 Hokkaido, My Love
1966 Sea of Youth
1967 Report from Haneda
1967 The Oppressed Students
1968 The Battle Front for the Liberation of Japan – Summer in Sanrizuka
1970 Sanrizuka: The Three Day War
1970 Winter In Sanrizuka
1971 Sanrizuka: Peasants of the Second Fortress
1972 Sanrizuka: The Building of Iwayama Tower
1973 Sanrizuka: Heta Village
1975 Dokkoi! Songs from the Bottom
1977 Sanrizuka: The Sky of May
1977 The Magino Village Story: Raising Silkworms
1978 The Magino Village Story: Pass
1982 Furuyashiki: A Japanese Village
1987 Magino Village: A Tale
1991 A Movie Capital
2001 Red Persimmons
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.