A work in constant progress (and occasional regress).
Release Date:
January 13, 2023
Original Title:
The Price We Pay
Alternate Titles:
El precio de la venganza
Le prix à payer
Genres:
Action | Crime | Horror | Mystery | Thriller
Production Companies:
828 Media Capital
828 Productions
ABS Payroll & Production Accounting Services
Buffalo 8
Project Indie Hope
VMI Worldwide
Production Countries:
United States of America
Ratings / Certifications:
AU: R 18+ BR: 16 DE: 18 ES: 18 FR: 16 GB: 18 KR: 18 RU: 18+ US: R
Runtime: 85
After a pawn shop robbery goes askew, two criminals take refuge at a remote farmhouse to try to let the heat die down, but find something much more menacing.
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Camera Operator:
Stephen St. Peter
Co-Executive Producer:
Gerry Pass
Co-Producer:
Jesse Kinser
Director:
Ryûhei Kitamura
Director of Photography:
Matthias Schubert
Executive Producer:
Christina Lundbohm
Mari Muscio
Shelley Stolaroff Segal
First Assistant Camera:
Jason Darnieder
Ryan Alexander Smith
First Assistant Director:
Dusty Dukatz
Gaffer:
Joe Escandell
Carlos Tavio Rubio
Grip:
Angel De Jesus Rubio
Hair Department Head:
Melissa Barela
Key Grip:
Dan Williams
Makeup Artist:
Melissa Barela
Naomi Gomez
Makeup Department Head:
Pepper J. Gallegos
Makeup Designer:
Pepper J. Gallegos
Mixing Engineer:
Tom Russbueldt
Music:
Aldo Shllaku
Producer:
Mark Andrews
Jessica Bennett
Robert Dean
Stephanie Denton
Bill Kelman
Todd Lundbohm
Andre Relis
Production Assistant:
Armando Jimenez
Production Designer:
Tiffany Figueroa
Second Assistant Director:
Gerardo Muñoz
Set Decoration:
Ryan Riddle
Sound Mixer:
Brian Berger
Special Effects:
Eric Kirker
Special Effects Makeup Artist:
Melissa Barela
Pepper J. Gallegos
Special Effects Supervisor:
Pepper J. Gallegos
Stand In:
Andrew Kern
Stunt Coordinator:
Heath Hensley
Supervising Sound Editor:
Brian Berger
Writer:
Christopher Jolley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.