A work in constant progress (and occasional regress).
Release Date:
August 7, 2002
Original Title:
The Good Girl
Alternate Titles:
Por um Sentido na Vida
Una buena chica
Genres:
Comedy | Drama | Romance
Production Companies:
Flan de Coco Films
Fox Searchlight Pictures
Hungry Eye Lowland Pictures B.V.
Production Countries:
Germany | Netherlands | United States of America
Ratings / Certifications:
DE: 12 GB: 15 US: R
Runtime: 93
A discount store clerk strikes up an affair with a stock boy who considers himself the incarnation of Holden Caulfield.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Matthew C. Beville
Art Department Coordinator:
Gretchen Engel
Art Direction:
Macie Vener
Assistant Location Manager:
Charles Fagin
Assistant Makeup Artist:
Darla Albright
Assistant Production Coordinator:
Damiana Kamishin
Assistant Property Master:
Derrick Hinman
Assistant Sound Editor:
Lana Warnock
Eryne Prine
Best Boy Electric:
Tim Durr
Best Boy Grip:
Charles 'Woody' Lang
Boom Operator:
Dan Lipe
Camera Operator:
Darin Moran
Casting:
Joanna Colbert
Meredith Tucker
Chief Lighting Technician:
Louis DiCesare
Co-Producer:
Shelly Glasser
Gina Kwon
Color Timer:
Dennis McNeill
Construction Coordinator:
Ken Scaife
Construction Foreman:
Frank B. Nieves
Costume Design:
Nancy Steiner
Costume Supervisor:
B.J. Rogers
Chris Burrows
Craft Service:
Steve M. Miliotti
Dialect Coach:
Joy Ellison
Francie Brown
Dialogue Editor:
Stephanie Flack
Director:
Miguel Arteta
Director of Photography:
Enrique Chediak
Dolly Grip:
Tom Adams
Editor:
Jeff Betancourt
Electrician:
Kevin P. Patterson
Moulaye Sene
Pierre Cane
Executive Producer:
Carol Baum
Philip von Alvensleben
Kirk D'Amico
Extras Casting:
Jeff Olan
First Assistant Accountant:
Robert Yacobian
First Assistant Camera:
Robert Magnano
First Assistant Director:
Linda Brachman
First Assistant Editor:
Andrew Loschin
First Assistant Sound Editor:
Christopher Alba
Foley Artist:
John Roesch
Alyson Dee Moore
Foley Mixer:
Marilyn Graf
Foley Recordist:
Carolyn Tapp
Greensman:
Joe Lozano
Grip:
John Emory
Bobby D. Bartlett
Dave Harvey
William Christie
Key Costumer:
Christie Wittenborn
Key Grip:
Lloyd Moriarity
Key Hair Stylist:
Daniel Curet
Key Makeup Artist:
Carol Schwartz
Leadman:
Christopher Coulson
Location Manager:
France Myung Fagin
Music Consultant:
Peter Afterman
Joey Waronker
Music Coordinator:
Jessica Clements
Music Editor:
Stephen Lotwis
Music Supervisor:
Margaret Yen
Original Music Composer:
Tony Maxwell
Joey Waronker
James O'Brien
Mark Orton
Post Production Supervisor:
Bradley M. Goodman
Steven Kaminsky
Producer:
Matthew Greenfield
Production Accountant:
Peter McManus
Production Coordinator:
Leslie Silvey
Production Design:
Daniel Bradford
Production Secretary:
William S. White
Property Master:
Michael Carney
Script Supervisor:
Rebecca Fulton
Petra Jorgensen
Second Assistant Camera:
Kelly Krotine
Christianne Kira Parser
Second Assistant Director:
Marge Piane
Second Second Assistant Director:
John Riley
Jeff Bilger
Set Decoration:
Susan Emshwiller
Set Dresser:
Gabor Szitanyi
Sound Effects Designer:
Eddie Kim
Sound Mixer:
Yehuda Maayan
Sound Re-Recording Mixer:
Wayne Heitman
Chris David
Special Effects Coordinator:
David Waine
Steadicam Operator:
Rusty Geller
Colin Anderson
Randy Nolen
Still Photographer:
Dale Robinette
Studio Teacher:
Wendy Wilhite Chatley
Charmaine Boos
Francie Agajanian
Stunts:
Robert Jauregui
Supervising Sound Editor:
Christopher Sheldon
Dane A. Davis
Thanks:
Lucas Foster
Transportation Captain:
Steve Zerweck
Transportation Co-Captain:
Russ Tolliver
Transportation Coordinator:
Michael Merrick
Unit Production Manager:
Shelly Glasser
Writer:
Mike White
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.