A work in constant progress (and occasional regress).
Release Date:
August 18, 2022
Original Title:
El efecto ladrillo
Alternate Titles:
Chile, el fin del neoliberalismo - El pueblo contra los economistas
Chile: Das Volk gegen die Chicago Boys
Chile: El pueblo contra los economistas
Chili, le peuple contre les économistes
Genres:
Documentary
Production Companies:
ARTE
Doc Society
JustFilms / Ford Foundation
La Ventana Cine
Open Society Foundations
Perspective Fund
Sundance Institute
Production Countries:
Chile | France | United Kingdom | United States of America
Ratings / Certifications:
N/A
Runtime: 91
In 2019, millions of Chileans rose up in a popular revolt that resulted in radical change: the call for an assembly that will change the constitution imposed by the Pinochet dictatorship and its economic neoliberal model, referred to as ‘The Brick’. This change is seen through the eyes of two Chileans from opposing sides of the political spectrum. They experience a year of turmoil as protests give way to transformation. On the one side Ramiro, a wealthy businessman, and on the other side Mariana, a lower middle-class teacher. Historical conflicts that were long thought resolved come to light as the assembly process draws closer, showing how the wounds of a brutal dictatorship are deep, lasting and must be reconciled at all costs.
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Additional Camera:
Viterbo Romero
Rafael Valdeavellano
Alex Miranda
Co-Producer:
Maxyne Franklin
Carrie Lozano
Anne Grolleron
Laura Husti-Radulet
Nikki Heyman
Fabrice Puchault
Commissioning Editor:
Anne Charbonnel
Director:
Rafael Valdeavellano
Carola Fuentes
Director of Photography:
Sebastián Caro
Drone Cinematographer:
Sebastián Caro
Editor:
Andrés Acevedo
Line Producer:
Juan Ramírez
Original Music Composer:
Gabriel Pulido
Producer:
Carola Fuentes
Rafael Valdeavellano
Sound:
Rafael Valdeavellano
Sound Editor:
Maurice López
Sound Re-Recording Mixer:
Maurice López
Writer:
Carola Fuentes
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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