A work in constant progress (and occasional regress).
Release Date:
July 10, 2022
Original Title:
It Gets Darker
Genres:
Horror | Thriller
Production Countries:
Lebanon | United Kingdom
Ratings / Certifications:
N/A
Runtime: 22
Lara has not been herself lately, a fact that everyone around mentions constantly. She is dealing with a traumatic incident silently, and when Vanessa, her childhood best friend, pushes her to join in a relaxing weekend in an isolated resort, Lara reluctantly agrees. This idyllic retreat reveals its true intent when Amir arrives, Lara quickly finds out that this is a trap to silence her against speaking up about the incident with Amir. When a confrontation between Lara and Amir turns deadly, she must find her inner strength and fight her way through the night to make it out alive.
Assistant Costume Designer:
Nour Habr
Assistant Property Master:
Joyce Ghanem
Karen Assaf
Boom Operator:
Karim Nasr
Casting Coordinator:
Kristina Feghaly
Colorist:
Charbel Abi Semaan
Digital Imaging Technician:
Giorgio Karam
Director:
Daniel Habib
Firas Abou Fakher
Director of Photography:
Rachid Asmar
Editor:
Mark Eid
Executive Producer:
Firas Abou Fakher
Daniel Habib
First Assistant "A" Camera:
Rawad Saad
First Assistant Director:
Mario Ghabali
Hairstylist:
Moe Maanieh
Line Producer:
Aya Kanj
Makeup Artist:
Michelle Sleiman
Playback Coordinator:
Luna Abi Raad
Production Coordinator:
Nour Fakhouri
Production Design:
Riwa Baroud
Script Supervisor:
Najwa Harb
Second Assistant "A" Camera:
Hatem Chayna
Second Assistant Director:
Paula Dib
Set Supervisor:
Rashad Nasreddine
Sound Recordist:
Chadi Kanj
Special Effects:
Aline Raad
Special Effects Assistant:
Mohsen Kamareddine
Wardrobe Designer:
Isabella Khoury
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.