A work in constant progress (and occasional regress).
Original Title:
Pocket Call
Ratings / Certifications:
N/A
Runtime: 7
"The question of whether the call from inside the trouser pocket was coincidence or fate, willing us to be exactly the person called, remains unanswered and in the end, it doesn’t really matter. Spengemann’s Pocket Call prompts the observer to think about the tension between technical feasibility and chaotic chance. In his works, Spengemann negotiates subjects that elude technical and industrial reproduction (e.g. life itself, the universe, chance), but does so by hyper-technical means. He builds replicas of mistakes, connects pixels to make polygons, which then become specks of dust, threads, or bits of fluff, which condense in the dark cavern of a trouser pocket. In this way, he re-asks the fundamental ontologi- cal question of what substance the world is really made of and how in this materialist perspective anything new can emerge – without retreating into esotericism and metaphysics." Excerpt of: Martin Karcher, But the laser steers all things, 2021
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.