A work in constant progress (and occasional regress).
Release Date:
March 1, 2012
Original Title:
Мамы
Alternate Titles:
Mamy
Moms
妈妈Мамы
老妈们
Genres:
Comedy | Romance
Production Companies:
Enjoy Movies
Production Countries:
Russia
Ratings / Certifications:
RU: 12+
Runtime: 102
Every year on the International Women’s Day telephone networks transfer millions of phone calls and SMS messages. The vast majority of phone calls are addressed to the most important women in lives of everyone - to our mothers. But what would it be if because of enormous number of calls telephone network breaks down? What would we do? Someone would wait until network is rebuilt and would congratulate his mom in the evening or even the next day. But others, like the heroes of our movie, would change their plans to congratulate their moms just today ... personally ... as a kid!..
Additional Director of Photography:
Sergei Shults
Yaroslav Pilunskyi
Assistant Camera:
Morad Abdel-Fattakh
Assistant Director:
Evgeniy Abyzov
Casting Director:
Yuliya Zharkova
Costume Design:
Anna Andreeva
Gulnara Shakhmilova
Director:
Sarik Andreasyan
Evgeniy Abyzov
Dmitriy Dyuzhev
Kirill Kozlov
Alan Badoev
Ashot Keshchyan
Tikhon Kornev
Eldar Salavatov
Karen Oganesyan
Director of Photography:
Anton Zenkovich
Editor:
Kirill Kozlov
Executive Producer:
Daniil Makhort
Makeup Artist:
Mariya Morzunova
Elena Korzhova
Music:
Artashes Andreasyan
Darin Sysoev
Ilya Dukhovny
Producer:
Gevond Andreasyan
Sarik Andreasyan
Georgy Malkov
Production Design:
David Dadunashvili
Screenplay:
Alexey Nuzhnyy
Sergey Kaluzhanov
Irina Pivovarova
Sarik Andreasyan
Olga Antonova
Second Unit Director of Photography:
Mikhail Dementev
Sound Director:
Konstantin Stetkevich
Denis Korzhov
Stunt Coordinator:
Vladimir Orlov
Writer:
Tikhon Kornev
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.