A work in constant progress (and occasional regress).
Release Date:
December 25, 2005
Original Title:
The Producers
Alternate Titles:
Los productores - La película musical
制作人
制片人
金牌监制
Genres:
Comedy
Production Companies:
Brooksfilms
Columbia Pictures
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 BR: 12 CH: 6 CZ: 12+ DE: 6 GB: 12 HU: 6 IE: 12A JP: G SE: Btl US: PG-13
Runtime: 135
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
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ADR Mixer:
David Boulton
Bobby Johanson
Additional Editor:
William Kruzykowski
Art Department Coordinator:
Gay Howard
Art Direction:
Peter Rogness
Assistant Costume Designer:
Thomas Beall
Elizabeth Shelton
Assistant Editor:
Rick Derby
Assistant Set Decoration:
Rena DeAngelo
Assistant Sound Editor:
Bill Orrico
Allen Lau
Associate Choreographer:
Warren Carlyle
Associate Producer:
Leah Zappy
Best Boy Electrician:
Michael J. Maurer
Best Boy Grip:
Glen Engels
Boom Operator:
Michael Scott
Camera Loader:
Beka Venezia
Camera Operator:
Andrew Casey
Patrick Capone
Casting:
Tara Jayne Rubin
Chief Lighting Technician:
Mike Moyer
Choreographer:
Susan Stroman
Color Timer:
Jim Passon
Costume Design:
William Ivey Long
Costume Supervisor:
Gail A. Fitzgibbons
Kevin Draves
Dialogue Editor:
Nicholas Renbeck
Dan Korintus
Digital Intermediate Editor:
Devon Miller
Digital Intermediate Producer:
Michael Kennedy
Director:
Susan Stroman
Director of Photography:
John Bailey
Charles Minsky
Dolby Consultant:
Bradford L. Hohle
Dolly Grip:
Daniel Beaman
Patrick McGrath
Editor:
Steven Weisberg
First Assistant Accountant:
James Hinton
First Assistant Camera:
Bobby Mancuso
Bob Becchio
First Assistant Director:
Sam Hoffman
Foley Artist:
Jay Peck
Foley Editor:
Bill Sweeney
Foley Mixer:
Ryan Collison
Graphic Designer:
Mark Pollard
Hair Department Head:
Jerry Popolis
Hair Designer:
Alan D'Angerio
Key Grip:
Richard Guinness Jr.
Key Hair Stylist:
Karen Specht
Makeup & Hair:
Lisa Layman
Makeup Artist:
Kyra Panchenko
Makeup Department Head:
Kate Biscoe
Makeup Designer:
Naomi Donne
Modeling:
Dan Cox
Music Editor:
Missy Cohen
John M. Davis
Negative Cutter:
Mo Henry
Orchestrator:
Doug Besterman
Original Music Composer:
Glen Kelly
Payroll Accountant:
Penni Smith
Post Production Accountant:
Jennifer Zolten Freed
Producer:
Amy Herman
Jonathan Sanger
Mel Brooks
Production Accountant:
Whitney J. Willard
Production Coordinator:
Betsy Alton
Production Design:
Mark Friedberg
Production Sound Mixer:
Tod A. Maitland
Property Master:
Sandy Hamilton
Rigging Gaffer:
Kevin Janicelli
Screenplay:
Thomas Meehan
Mel Brooks
Script Supervisor:
Jessica Lichtner
Second Assistant Camera:
Scott Tinsley
Amanda Hudson
Second Assistant Director:
Michelle L. Keiser
Second Second Assistant Director:
Kathryn-Ann Oaks Shertzer
Set Decoration:
Ellen Christiansen
Set Dresser:
Jeffrey Rollins
Songs:
Mel Brooks
Sound Designer:
Lon Bender
Tod A. Maitland
Sound Effects Editor:
Dave Paterson
Sean Garnhart
Warren Shaw
Christopher Assells
Sound Re-Recording Mixer:
Robert Fernandez
Lee Dichter
Special Effects Makeup Artist:
Todd Kleitsch
Special Effects Supervisor:
Steven Kirshoff
Still Photographer:
Andrew D. Schwartz
Stunt Coordinator:
G.A. Aguilar
Blaise Corrigan
Stunts:
John Cenatiempo
Supervising ADR Editor:
Gina Alfano
Supervising Music Editor:
Dan Lieberstein
Supervising Sound Editor:
Lon Bender
Transportation Captain:
James Fanning
Unit Production Manager:
Amy Herman
Unit Publicist:
Marsha Robertson
Utility Sound:
Timothy R. Boyce Jr.
Wigmaker:
Victoria Wood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.