A work in constant progress (and occasional regress).
Original Title:
The Cross Sect Inn
Genres:
Comedy | Crime | Thriller
Ratings / Certifications:
N/A
Runtime: 13
Two young scoundrels Jay and Robin pose as housekeepers at the Cross Sect Inn Hotel during the 1960’s to plant a bomb in the state governor Mr. Wintz’s room. Meanwhile, undercover detective Raymond with the help of the security guard of the hotel Ellie stakes out the hotel. Unbeknownst to them Mr. Wintz is conducting a secret meeting with the local Mafia led by Angelo and his goons Lance and Benji. During this time Raymond lands Jay in the hands of the Mafia. The Mafia accuse Mr. Wintz of planting Jay as a spy, Robin attempts to retrieve the bomb and Raymond thinks he sent an innocent housekeeper to their death. Jay and Robin try to escape this tough scenario while taking down Mr. Wintz.
3D Artist:
Timothy Young
Assistant Editor:
Curtis Lambier
BTS Footage:
Laura Morton
Boom Operator:
Cameron McIver
Camera Operator:
Kyle Young
Casting Director:
Zachary Viola
Costume Design:
David Brown
Director:
Andrew Strachan
Matthew Neves
Director of Photography:
Varshaa Raguraman
Editor:
Akeylah Rivero
First Assistant "C" Camera:
Drew Haytaoglu
First Assistant Director:
Ryan Hadwen-Hussar
Gaffer:
Aluisa Greco
Grip:
Reece Trumble
Key Grip:
Carter Buckman
Makeup & Hair:
Lauren Gomez
Medical Consultant:
Willem Lachance
Original Music Composer:
Ethan Granka
Producer:
Rhiannon Murray Leung
Production Design:
Natasha Uhrig
Jamie Hiltstone
Production Sound Mixer:
Jonathan Kirkwood
Rotoscoping Artist:
David Daswaef
Second Assistant "B" Camera:
Morgan Mason
Sound Editor:
Katie Pagacz
Visual Effects:
Varshaa Raguraman
Andrew Strachan
Writer:
Jonathan Payne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.