A work in constant progress (and occasional regress).
Release Date:
January 3, 2018
Original Title:
高麗屋 三代の春〜襲名・松本幸四郎家 歌舞伎に生きる〜
Production Countries:
Japan
Ratings / Certifications:
N/A
Documentary programme closely following the simultaneous one-year succession of three generations of the prestigious Koraiya theatre. Koshiro IX and Shiro Matsumoto II, Somegoro VII and Koshiro Matsumoto X, and Kintaro IV and Somegoro Ichikawa VIII performed the succession on 2 January 2008 at the Kabuki-za theatre in Tokyo. The film follows the unwavering transmission of the art of father and grandson. Testimony from Koshiro X's sister, Noriyasu Matsumoto, and younger sister, Takako Matsu. Also features family ties and rare glimpses of Koshiro away from the stage. An insight into the amazing feat of three generations of Kabuki actors who assumed the name simultaneously, a rarity in the 400-year history of the Kabuki theatre.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.