A work in constant progress (and occasional regress).
Release Date:
June 10, 1996
Original Title:
The Cable Guy
Alternate Titles:
El Doctor Cable
El doctor cable
Kablo Ustası
Opravár
The Cable Guy - Die Nervensäge
鬼線人
Genres:
Comedy | Drama | Thriller
Production Companies:
Brillstein-Grey Entertainment
Columbia Pictures
Licht/Mueller Film Corporation
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: L CA: PG CZ: 12+ DE: 12 ES: 12 FR: U GB: 12 HU: 12 IE: 15 KR: 15 MX: B NL: 12 PT: M/12 US: PG-13
Runtime: 96
When recently single Steven moves into his new apartment, cable guy Chip comes to hook him up—and doesn't let go. Initially, Chip is just overzealous in his desire to be Steven's pal, but when Steven tries to end the 'friendship', Chip shows his dark side. He begins stalking Steven, who's left to fend for himself because no one else can believe Chip's capable of such behaviour.
ADR Editor:
G.W. Brown
Michele Perrone
John Sisti
Art Direction:
Jeff Knipp
Assistant Art Director:
Lori Rowbotham
Assistant Chief Lighting Technician:
David Gamerman
Assistant Location Manager:
Ross C. Day
Assistant Property Master:
Teri Anne Kopp
Boom Operator:
Scott Kinzey
Camera Operator:
Michael Scott
Casting:
Juel Bestrop
Casting Associate:
Karen Meisels
Chief Lighting Technician:
Reinhart Peschke
Co-Producer:
William S. Beasley
Color Timer:
Bob Kaiser
Construction Coordinator:
Steve A. Hagberg
Costume Design:
Erica Edell Phillips
Costume Supervisor:
Amy Stofsky
Costumer:
Cheri Reed
Katrina Mastrolia
Joseph T. Mastrolia
Dialogue Editor:
Michael Haight
Alison Fisher
Director:
Ben Stiller
Director of Photography:
Robert Brinkmann
Dolly Grip:
Robert J. Studenny
Kenny Davis
Editor:
Steven Weisberg
Executive Producer:
Bernie Brillstein
Brad Grey
Marc Gurvitz
First Assistant Camera:
Alex Leyton
First Assistant Director:
Nilo Otero
First Assistant Editor:
Paul Karasick
Gail DuFosse
Foley Artist:
Andy Malcolm
Alicia Stevenson
Foley Editor:
John Murray
Daniel Yale
Foley Mixer:
David W. Alstadter
Hairstylist:
Nancy Tong
Candy L. Walken
Pauletta O. Lewis
Key Grip:
Joseph Dianda
Key Hair Stylist:
Nina Paskowitz
Key Makeup Artist:
Sheryl Ptak
Leadman:
Patrick Lees
Location Manager:
Steve Dayan
Makeup Artist:
Christy Ann Newquist
Music Editor:
Jeanette Surga
Negative Cutter:
Mo Henry
Original Music Composer:
John Ottman
Producer:
Jeffrey A. Mueller
Andrew Licht
Judd Apatow
Production Accountant:
Terry Dunn
Production Coordinator:
Sharyn Shimada-Huggins
Production Design:
Sharon Seymour
Production Secretary:
Jamie Lynn Arsenault
Production Sound Mixer:
Nelson Stoll
Property Master:
Steven M. Levine
Screenplay:
Lou Holtz Jr.
Script Supervisor:
Pamela Alch
Second Assistant Camera:
Thomas Vandermillen
Second Assistant Director:
Frank Davis
Set Decoration:
Maggie Martin
Set Designer:
Jason Weil
Sound Effects Editor:
Rob Nokes
Yann Delpuech
Sound Re-Recording Mixer:
Chris David
Scott Millan
Tom Perry
Special Effects Coordinator:
Matt Sweeney
Steadicam Operator:
Kirk R. Gardner
Still Photographer:
Melinda Sue Gordon
Storyboard Artist:
Richard K. Buoen
Stunt Coordinator:
Freddie Hice
Stunt Double:
Erik Rondell
Tom Elliott
Bob Brown
Stunts:
Jon H. Epstein
Troy Robinson
Supervising Music Editor:
Lia Vollack
Supervising Sound Editor:
Robert Grieve
Gregory King
Transportation Captain:
Dan Marrow
Transportation Co-Captain:
Randy Burke
Unit Production Manager:
William S. Beasley
Unit Publicist:
David Linck
Utility Stunts:
Norman Howell
VFX Editor:
Audrey Chang
Video Assist Operator:
Michael J. Hogan
Visual Effects Producer:
Jennifer Bell
Visual Effects Supervisor:
John Nelson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.