A work in constant progress (and occasional regress).
Release Date:
January 1, 2012
Original Title:
Gods and Kings
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 87
In the muddy market square of Momostenango, Guatemala, where shamans burn offerings in the shadow of the Catholic church, prehispanic gods dance beside horror movie monsters and dictators from the dark days of the Cold War. Unlike the folkloric performances long studied by anthropologists, this new dance won't show up on any postcard. In some villages, it's even been banned for frightening tourists. So how did these fiberglass masks of Xena: Warrior Princess come to be blessed in the smoke of Maya altars? Presenting a striking case never before documented on film, Gods and Kings illuminates the way creations of mass-culture take on new meanings as they travel around the world. In a town where a Hollywood B-movie villain is a real evil spirit, stories can't be taken lightly and it always matters who's telling them.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.