A work in constant progress (and occasional regress).
Release Date:
January 1, 1986
Original Title:
Cobra
Alternate Titles:
Die City-Cobra
Kobra
浴血擒魔
眼镜蛇
眼镜蛇血战斧头党
鐵膽威龍
铁胆威龙
Genres:
Action | Crime | Thriller
Production Companies:
Golan-Globus Productions
The Cannon Group
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: R 18+ BR: 14 DE: 18 ES: 18 FI: K-18 FR: 12 GB: 18 HU: 18 IE: 18 IT: VM14 JP: R15+ KR: 18 MX: C NL: 16 PL: 18 PT: M/16 RU: 18+ SK: 15 US: R
Runtime: 87
A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.
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ADR Editor:
Avram D. Gold
ADR Voice Casting:
Barbara Harris
Additional Photography:
Nick McLean
Art Direction:
William Ladd Skinner
Adrian Gorton
Assistant Art Director:
Gayle Simon
Cate Bangs
Assistant Editor:
Gregory M. Gerlich
Paul Cichocki
Martin November
Carmen Hocson Baker
Assistant Property Master:
Kurt V. Hulett
Assistant Sound Editor:
Michelle Pleis
Best Boy Electric:
Ken Tosic
Boom Operator:
James M. McCann
Camera Operator:
Michael St. Hilaire
Rick Neff
Casting:
Joy Todd
Casting Assistant:
Henry Alford
Cynthia Rothkopf
Sally Stiner
Chief Lighting Technician:
Carl Boles
Co-Director:
Sylvester Stallone
Color Timer:
Robert Raring
Construction Coordinator:
Michael J. Smith
Costume Design:
Tom Bronson
Costumer:
Robin Borman-Wizan
Michael J. Long
Murray Lantz
Linda Henrikson
Craft Service:
James E. Lorimer
Verla Loomis Randall
Director:
George P. Cosmatos
Director of Photography:
Ric Waite
Dolly Grip:
Donald Whipple Jr.
Editor:
Don Zimmerman
James R. Symons
Electrician:
Jeff Stanman
Keith Pallant
Eddie Taylor
Richard L. Jordan
Executive Producer:
James D. Brubaker
First Assistant Accountant:
Lynn C. Marchionno
First Assistant Camera:
Richard A. Mention
Roger Gebhard
First Assistant Director:
Duncan Henderson
Foley Artist:
Margie O'Malley
Evelyn Dutton
Grip:
Jack Glenn
Howard Hagadorn
Danny Boldroff
Hairstylist:
Barbara Lorenz
Lola Kemp
Key Grip:
Steve Boldroff
John London
Leadman:
William D. Derham
Douglas Forsmith
Lighting Technician:
Carl Boles
Location Manager:
Laura Sode-Matteson
Robert H. Lemer
Makeup Artist:
Leonard Engelman
Stephen Abrums
Music Editor:
George Brand
Music Supervisor:
Robin Garb
Negative Cutter:
Donah Bassett
Novel:
Paula Gosling
Original Music Composer:
Sylvester Levay
Producer:
Menahem Golan
Yoram Globus
Tony Munafo
Production Accountant:
Cynthia Wise
Production Assistant:
Bruce Carter
Production Consultant:
Bill Wells
Production Coordinator:
Richard Liebegott
Production Design:
Bill Kenney
Prop Maker:
Frederick Lietzman
Property Master:
Louis S. Fleming
Publicist:
Tom Gray
Screenplay:
Sylvester Stallone
Script Supervisor:
Hope Williams
Second Assistant Camera:
Larry Hezzelwood
Christopher Ishii
Second Assistant Director:
Janet G. Knutsen
Eric Jewett
Second Unit Director:
Terry Leonard
Set Decoration:
Robert Gould
Set Designer:
David F. Klassen
Set Dresser:
Max E. Brehme
Sound Editor:
Teri E. Dorman
Jay Wilkinson
Michele Sharp
Joseph A. Ippolito
Sound Mixer:
Michael Evje
Sound Re-Recording Mixer:
Michael Minkler
Gregg Landaker
Rick Kline
Sound Recordist:
Stanley B. Gill
Special Effects:
Phil Cory
Standby Painter:
Jane Stewart
Still Photographer:
Dave Friedman
Stunt Coordinator:
Terry Leonard
Stunt Double:
Mark De Alessandro
Stunts:
Joe Finnegan
Terry Jackson
Debbie Evans
Lane Leavitt
Pat Romano
Mike H. McGaughy
Brad Bovee
Scott Dockstader
Mike Johnson
Mark De Alessandro
Kerry Rossall
Gary McLarty
Richard Epper
David D. Darling
Paul M. Lane
Corey Michael Eubanks
Diane Kay Grant
Ben Scott
Branscombe Richmond
Tracy Keehn-Dashnaw
Mike Tillman
Michael Runyard
Supervising Sound Editor:
Fred J. Brown
Technical Advisor:
Tony Maffatone
Third Assistant Director:
Seanna McPherson
Transportation Captain:
Michael Brum
Transportation Coordinator:
Ed Arter
Utility Sound:
Fredrick Talmage
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.