A work in constant progress (and occasional regress).
Release Date:
May 21, 2022
Original Title:
Dollhouse
Genres:
Documentary | Drama
Production Companies:
Film School of the Aristotle University of Thessaloniki
Production Countries:
Greece
Ratings / Certifications:
N/A
Runtime: 3
The short film "dollhouse" was completed exclusively through editing preexisted images and sounds, which have been picked up mostly by narrative and documentary films and YouTube videos, such as music videos, recordings of plastic surgeries and reportages, while the audio file was constructed heavily from industrial sounds. Its central theme concerns the predetermined beauty standards which are imposed by the western society on women. A fundamental aesthetic and thematic purpose of the film is the provocation of intense, disturbing and shocking feelings through the graphic images, the inconvenient sounds and the audiovisual repetitions.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.