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Jewelle: A Just Vision (2024) [N/A]

Release Date:
November 1, 2024

Original Title:
Jewelle: A Just Vision

Genres:
Documentary

Production Companies:
Queer Women of Color Media Arts Project

Ratings / Certifications:
 N/A

Runtime: 64

Overview from TheMovieDB

Jewelle: A Just Vision traces the nodes of social movements from Civil Rights to Marriage Equality. It reveals radical Black and Indigenous feminist networks and thought that could shape what is to come. It drinks deeply from the art and activism of the incomparable Jewelle Gomez, Ioway & African American, Wampanoag, and Cape Verdean lesbian elder. Her life and work replenish humanity with fierce hope as her power swells into the world, from histories of Massasoit and her great-grandmother’s buckskin dress, queer Black ancestors, and slavery-era vampires to starry regenerative futures.

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Production

Archival Footage Coordinator:
Matt Tom Lavine

Associate Producer:
Christina Lang

Co-Producer:
T. Kebo Drew
Ruth Gumnit

Colorist:
Heather Lyon Weaver

Digital Imaging Technician:
Ruth Gumnit

Director:
Madeleine Lim

Director of Photography:
Madeleine Lim
Ruth Gumnit

Editor:
Elizabeth Finlayson
Corey Ohama

Legal Services:
Justine Jacob

Music:
Allegra Bandy
Melanie DeMore

Other:
Amanda Lim
Shaunna Hall
Nathalie Raiz-Anaya
T. Kebo Drew
Christina Lang
Marguerite Salmon

Sound Mixer:
Daniel Olmsted

Title Designer:
Den Legaspi

Transcriptions:
Douglas Conrad

Visual Effects:
Lisa Yimm
Suzanne Slatcher

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.