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My Favorite Martian (1999) [PG]

Release Date:
February 11, 1999

Original Title:
My Favorite Martian

Alternate Titles:
Martin il Marziano
Mon Martien Bien Aimé
My Favorite Martian: The Movie
My Favourite Martian
Ən Sevdiyim Marslı
火星叔叔马丁

Genres:
Comedy | Family | Science Fiction

Production Companies:
Walt Disney Pictures

Production Countries:
United States of America

Ratings / Certifications:
CZ: U  DE: 6  FR: U  JP: R15+  US: PG 

Runtime: 94

The martian has landed. There goes the neighborhood.

Overview from TheMovieDB

Ambitious television reporter Tim O'Hara stumbles upon a martian whose spaceship has accidentally crashed on Earth. Thinking this is his ticket to a Pulitzer Prize, Tim makes plans to expose the martian, who, posing as Tim's Uncle Martin, takes human form and has plans of his own. In fact, all of Tim's efforts to divulge the truth are systematically thwarted by the resourceful alien, who ultimately recruits Tim to help him repair his ship for a return to Mars.

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Trailer

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Performers

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Production

ADR Editor:
Laura Graham
Linda Folk

ADR Supervisor:
Michele Perrone

Additional Editing:
Donn Cambern

Art Direction:
Christopher Burian-Mohr

Assistant Chief Lighting Technician:
Michael K. O'Melia

Assistant Editor:
Jeff Etcher
Ray Neapolitan
Deidre Leonard

Assistant Property Master:
Al Eisenmann

Best Boy Grip:
Jeffrey A. Johnson

Boom Operator:
Kenneth C. Mantlo

Casting:
Janet Hirshenson
Jane Jenkins

Chief Lighting Technician:
H. Mark Vuille

Co-Producer:
Daryl Kass

Color Timer:
Terry Claborn

Construction Coordinator:
Bruce DiValerio

Costume Design:
Hope Hanafin

Costume Supervisor:
Nancy McArdle

Costumer:
Ruby K. Manis
Mitzi Haralson

Craft Service:
Nick Mestrundrea

Dialogue Editor:
Gaston Biraben
Avram D. Gold

Director:
Donald Petrie

Director of Photography:
Thomas E. Ackerman

Editor:
Malcolm Campbell

Executive Producer:
Barry Bernardi

Extras Casting:
Dixie Webster-Davis

First Assistant Accountant:
Terri Greening

First Assistant Director:
Martha Elcan

First Assistant Editor:
James A. Brewer

First Assistant Sound Editor:
Douglas Parker

Foley Artist:
Dan O'Connell
John T. Cucci

Foley Editor:
Paul N.J. Ottosson
Solange S. Schwalbe

Foley Mixer:
Nerses Gezalyan

Foley Recordist:
Linda Lew

Foley Supervisor:
John O. Wilde

Hair Department Head:
Karen Asano-Myers

Key Grip:
Lloyd Moriarity

Key Hair Stylist:
D.J. Plumb

Key Makeup Artist:
Kathryn Fenton

Leadman:
Paul Ford

Location Manager:
Karlene Gallegly
Phillips 'Flip' Wylly Jr.

Makeup Department Head:
Kenny Myers

Music Editor:
Andrew Silver

Original Music Composer:
John Debney

Producer:
Jerry Leider
Marc Toberoff
Robert Shapiro

Production Accountant:
Byron Macdonald

Production Design:
Sandy Veneziano

Property Master:
Steven Melton

Screenplay:
Sherri Stoner
Deanna Oliver

Script Supervisor:
Susan Bierbaum

Second Assistant Director:
Tony Schwartz

Series Writer:
John L. Greene

Set Decoration:
Michael Taylor

Set Designer:
Nancy Mickelberry

Sound Re-Recording Mixer:
Robert J. Litt
Elliot Tyson
Rick Hart

Special Effects Coordinator:
Richard Ratliff

Special Effects Supervisor:
Peter Albiez

Special Effects Technician:
Roy Augenstein

Still Photographer:
Joyce Rudolph

Stunt Coordinator:
Ernie F. Orsatti
Noon Orsatti

Stunts:
Todd Bryant
Edward Conna
Donna Evans
Frankie 'G' Garbutt
Dale Gibson
Mickey Gilbert
Dana Hee
Fred Lerner
Irving E. Lewis
Ray Lykins
Alan Oliney
Noon Orsatti
Chad Parker
Ben Scott
Spike Silver
Chad Stahelski
Pete Turner
Bob Yerkes
Mark Yerkes

Supervising Sound Editor:
Michael Hilkene

Transportation Coordinator:
Edward Flotard

Unit Production Manager:
Daryl Kass

Unit Publicist:
Patti Hawn

Visual Effects:
Suzanne Smith

Visual Effects Coordinator:
David Wallace Allen

Visual Effects Editor:
April Lawrence

Visual Effects Producer:
Susan MacLeod

Visual Effects Supervisor:
John T. Van Vliet
Phil Tippett

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.