A work in constant progress (and occasional regress).
Release Date:
April 19, 2023
Original Title:
La Plus belle pour aller danser
Genres:
Comedy | Drama
Production Companies:
Auvergne-Rhône-Alpes Cinéma
Bidibul Productions
Frakas Productions
Lionceau Films
Production Countries:
Belgium | France | Luxembourg
Ratings / Certifications:
N/A
Runtime: 92
Marie-Luce Bison, 14 years old, is raised by her father in a cheerful boarding house for seniors where he is the director. It is soon the costume party of her new college: her father does not want her to go ... and anyway, she is not invited. But pushed by Albert, her 80-year-old best friend, Marie-Luce crashes the party, dressed as a man. That evening, everyone takes her for a boy... a boy who is looked at and who pleases. She then decides to invent a male double named Leo to finally live her teenage life. Of course, at home, the relationship with her father becomes complicated.
Assistant Editor:
Cécile Perlès
Best Boy Grip:
Nicolas Mambourg
Casting Director:
Julie Navarro
Choreographer:
Corinne Devaux
Co-Writer:
Eulalie Elsker
Construction Coordinator:
Benjamin Gatti
Costumer:
Marie Credou
Decorator:
Nicolas de Boiscuillé
Dialogue Editor:
Etienne Carton
Director:
Victoria Bedos
Director of Photography:
Pierre Aïm
Editor:
Nathan Delannoy
Executive Producer:
Eva Curia
First Assistant Director:
Sébastien Matuchet
Grip:
Sébastien Rodriguez
Key Makeup Artist:
Fabienne Adam
Music Supervisor:
Martin Caraux
Producer:
Hélène Cases
Production Design:
Nicolas de Boiscuillé
Production Director:
Jean-Jacques Albert
Screenplay:
Victoria Bedos
Louis Penicaut
Script:
Diane Brasseur
Sound:
Yves Bémelmans
Sound Editor:
Benoît De Clerck
Sound Engineer:
Yves Bémelmans
Steadicam Operator:
Olivier Merckx
Tony Chapuis
Jean-Philippe Gosselin
Maxime Picoche
Unit Production Manager:
Didier Carrel
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.