A work in constant progress (and occasional regress).
Release Date:
November 20, 2023
Original Title:
White Widow
Alternate Titles:
Amaranthus
Night of the Lotus
The Sex Life in Tel Aviv
Genres:
Drama | Romance | Thriller
Production Companies:
Art4noise
BOS Productions
Film Crew in Africa
Production Countries:
Tanzania | United Kingdom
Ratings / Certifications:
GB: 15
Runtime: 83
Across Africa and London, an American woman struggles with recent tragic events, resulting in impromptu rendezvous with a naive Irishman, who takes on more than he bargained for.
ADR Mixer:
Nick Baldock
Frank Verderosa
Andrew Guastella
Associate Producer:
Giles Skillicorn
Casting:
Martin Ware
Costume Design:
Helen Beaumont
Digital Imaging Technician:
Richard Simkins
Matt Pugh
Director:
Henry Mason
Director of Photography:
Milan Chadima
Editor:
David Charap
Dan Sherwen
Executive Producer:
Vadim Jean
Thomas Martin
First Assistant Camera:
Sky Sharrock
Richard Simkins
First Assistant Director:
Andrew Richards
Foley Editor:
Adrian Furdui
James Matthews
Gaffer:
Yurandi Poots
Key Hair Stylist:
Lynn Jackett
Key Makeup Artist:
Lynn Jackett
Line Producer:
Rhun Francis
Makeup Artist:
Carlotta Nuti
Music:
Gareth Averill
Nick Foster
Producer:
Oliver Royds
Henry R Swindell
Production Coordinator:
Lou Shrimpton
Arnau Lamarca
Production Design:
Daisy Mason
Production Manager:
Dot Kyle
Script Supervisor:
Naomi Marvelly
Second Assistant Camera:
Leo Winslow
Second Assistant Director:
Tom Allan
Tom Treasure
Sound Effects Editor:
Nick Baldock
Sound Re-Recording Mixer:
Ben Carr
Sound Recordist:
Edwin Weiss
Still Photographer:
Gunther Campine
Supervising Sound Editor:
Peter Baldock
Writer:
Thomas Martin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.