A work in constant progress (and occasional regress).
Featuring:
Kaneko Fujiwara, Kiyoko Hara, Kôichi Itô
Written by:
Teppei Kataoka
Kôgo Noda
Directed by:
Yasushi Sasaki
Release Date:
February 17, 1938
Original Title:
風の女王
Alternate Titles:
Kaze no joô
Genres:
Drama
Production Companies:
Shochiku
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 65
A man and his girlfriend work for a cosmetics company, but would like to open their own store. The company is planning to send someone to Paris for special training and the man tries to get the general manager to send his girlfriend since this training would help them to start their own business. The general manager selects another woman and the trouble begins.
I have seen very little from director Sasaki Yasushi, also known as Sasaki Ko, and all of that was uninteresting jidai-geki films the director made after the war. Before the war, he has a hired hand at Shochiku, starting the biz as an assistant director for the more prestigious Ozu and Shimizu. "Kaze no joô" (Queen of Wind, 1938) has a similar light tone than Ozu's "Shukujo wa nani o wasureta ka" (What Did the Lady Forget?, 1937) from the previous year, though Sasaki's film sports even stronger European flavor, that works for the film's benefit. The drama-comedy narrative deals with two guys and two girls who work at the same place. Things start off friendly enough, but soon two conflicts, one professional concerning career moves, and the other more emotional-related, arise. The plot is played from the interactions between the characters.Sasaki did a nice job as the director. Scenes are shot differently from each other, which keeps things interesting. There are also more sets than your usual Shochiku production from the era, and outdoor-shots as well. All of it has a very modern feel to it, possibly because of the European elements. Beloved studio contract players star in the lead roles, especially Ryu Chishu is in a different kind of role from his usual Ozu duties.
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.