A work in constant progress (and occasional regress).
Release Date:
January 26, 2012
Original Title:
The Chemical Brothers: Don't Think
Alternate Titles:
The Chemical Brothers : Don't Think
Genres:
Music
Production Companies:
Black Dog Films
ML Studio
Parlophone
RSA Films
Production Countries:
Japan | United Kingdom
Ratings / Certifications:
IE: PG
Runtime: 85
The Chemical Brothers bring their mind-bendingly psychedelic live show to the big screen for the first time, and in grand style. A state of art spectacle shot at Japan's Fujirock Festival in front of 50,000 ravenous fans, Don't Think combines the Chemical Brothers famously ferocious modern electronic sounds and hardcore dance beats with eye-popping visuals. Directed by their longtime visual collaborator Adam Smith, and shot on 20 cameras, Don't Think is the first concert film to feature Dolby 7:1 surround sound, mixed for the screen by the band, and includes 2 new Chemical Brothers tracks. Don't think, let it flow, surrender to the void.
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Camera Operator:
Anthony Dalton
Mark Hulme
Aislinn Clifford
Philip Mead
Chris Shepherd
Sara Jowsey
Scott Larson
Stephen Malit
Camera Production Assistant:
Ivan Kovač
Gabriela Gwiazdowski
Director:
Adam Smith
Editor:
Mark Whelan
Jono Griffith
Executive Producer:
Tom Rowlands
Ed Simons
Robert Linney
Nick Dewey
Tony Crean
Svana Gisla
Stefan Demetriou
First Assistant Director:
Jimmy Kitaji
First Assistant Editor:
Aislinn Clifford
Lighting Camera:
Iain Finlay
Marc Swadel
Music:
Tom Rowlands
Ed Simons
Online Editor:
Aislinn Clifford
Post Production Supervisor:
Cara Cheeseman
Producer:
Lee Groombridge
Marcus Lyall
Production Manager:
Jessica Wiley
James Okubo
Sound Supervisor:
Rob Mayes
Supervising Sound Editor:
Gernot Fuhrmann
Visual Effects:
Jonny Stopford
Visual Effects Director:
Marcus Lyall
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.