A work in constant progress (and occasional regress).
Release Date:
April 6, 2022
Original Title:
Long Low Line (Fordland)
Genres:
Animation | Documentary | Fantasy | Mystery | Western
Ratings / Certifications:
N/A
Runtime: 18
Dean extrapolated landscape images from 1920s Ford advertisements, leaving out the cars to focus on their representations of place and nature. She made the animation using a digital version of a multiplane camera technique employed in early Disney films to create an immersive and 3D illusion by separating two-dimensional images. This technique was itself inspired by Ford’s assembly line; Dean uses it to explore historical depictions of the American dream, exaggerating the subject matter’s fantastical style. [Overview courtesy of the Whitney Museum of American Art]
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.