A work in constant progress (and occasional regress).
Release Date:
October 4, 2023
Original Title:
L'air de la mer rend libre
Alternate Titles:
Saïd, Hadjira et Vincent
Genres:
Drama
Production Companies:
Blue Monday Productions
Le Bureau
Production Countries:
France
Ratings / Certifications:
FR: TP
Runtime: 90
Rennes, nowadays. Saïd still lives with his parents. He is having a secret affair with Vincent. Unable to face his family, he agrees to an arranged marriage with Hadjira. After an unhappy love affair and a few run-ins with the law, she too has resigned herself to obeying her mother. Trapped by their families, Saïd and Hadjira join forces in spite of themselves, to find their own freedom.
Administration:
Yann Pichot
Art Department Coordinator:
Armelle Rabaté
Assistant Art Director:
Mario Valot
Tiphaine Lemou
Assistant Production Manager:
Wanadi Lichy
Co-Writer:
michael barnes
Naïla Guiguet
Colorist:
Christophe Bousquet
Costume Designer:
Charlotte Richard
Dialogue Editor:
Titouan Dumesnil
Director:
Nadir Moknèche
Director of Photography:
Kristy Baboul
First Assistant Camera:
Alexis Cohen
Foley Mixer:
Maxime Champesme
Music Supervisor:
Thibault Deboaisne
Painter:
Louise Collignon
Post Production Supervisor:
Delphine Passant
Producer:
Nathalie Mesuret
Bertrand Gore
Production Design:
Héléna Cisterne
Production Manager:
Julia Maraval
Screenplay:
Nadir Moknèche
Second Assistant Camera:
Luc Feriau
Sound Editor:
Benoît Hillebrant
Sound Re-Recording Mixer:
Vincent Verdoux
Wardrobe Assistant:
Hélène Bedecarrax
Wardrobe Coordinator:
Faes Cassandre
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.