A work in constant progress (and occasional regress).
Release Date:
April 15, 1976
Original Title:
Mako: The Jaws of Death
Alternate Titles:
Killer Jaws
Maco - kuoleman kita
Mako lo squalo della morte
Mako, die Bestie
Saalistajat
The Jaws of Death
魔鲨
Genres:
Horror | Thriller
Production Companies:
Mako Associates
Universal Majestic Inc.
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 86
A man accidentally learns that he has a mystical connection with sharks, and is given a strange medallion by a shaman. Becoming more and more alienated from normal society, he develops an ability to communicate with sharks telepathically, setting out to destroy anybody who harms sharks. People enter into his strange world to exploit his weird passion, and he uses the animals to gain revenge on anybody who double crosses him.
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Art Direction:
Roger C. Sherman
Assistant Camera:
Robert N. Gersicoff
Assistant Editor:
Michael Hoyt
Associate Producer:
Bob Bagley
Robert Plumb
Boom Operator:
Scott Blynder
Camera Operator:
William Walsh
Cinematography:
Julio C. Chávez
Director:
William Grefé
Editor:
Julio C. Chávez
Ronald Sinclair
Executive Producer:
Doro Vlado Hreljanovic
Paul Joseph
First Assistant Director:
Adrienne Bourbeau
Gayle DeCamp
Gaffer:
Lane Chiles
Santiago Perales
Hairstylist:
Gary Walker
Location Manager:
B.J. Johnson
Makeup Artist:
Susan Kuennen
Music:
William Loose
Paul Ruhland
Producer:
William Grefé
Props:
Kurt Nagel
Screenplay:
Robert W. Morgan
Script Supervisor:
Betty Kerwin
Second Assistant Director:
George Marvin
Sound:
Bernie Blynder
Still Photographer:
Emil Deaton
Story:
William Grefé
Stunts:
Gay Ingram
Reed Parham
Underwater Camera:
Jordan Klein Sr.
Underwater Director of Photography:
Jordan Klein Sr.
Wardrobe Supervisor:
Heather Hughes
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.