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The Return (2024) [R]

Release Date:
September 7, 2024

Original Title:
The Return

Alternate Titles:
Itaca - Il ritorno
Le Retour
Η Επιστροφή
王者归来
王者歸來

Genres:
Adventure | Drama | History

Production Companies:
Bleecker Street
Heretic
Kabo Films
Marvelous Productions
Picomedia
RAI Cinema
Redwave Films

Production Countries:
France | Greece | Italy | United Kingdom | United States of America

Ratings / Certifications:
AU: M  FR: 16  PR: R  RU: 16+  SG: M18  US: R 

Runtime: 116

Some legends are more than myths.

Overview from TheMovieDB

After twenty years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king has finally returned home, but much has changed in his kingdom since he left to fight in the Trojan war.

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Additional information:

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Trailer

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Featurette

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Performers

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Production

ADR Mixer:
Nick Kray

Art Department Assistant:
Andreas Monopolis

Assistant Editor:
Silvia Favro

Assistant Production Manager:
Ioanna Peteinaraki

Associate Producer:
Miranda King

Author:
Homer

Best Boy Grip:
Roberto Borghesi

Boom Operator:
massimilano angelieri

Casting:
Sofia Dimopoulou
Susie Figgis
Kirsty Kinnear
Alessandro Loffredi
Sofia Dimonopoulou

Co-Producer:
Ceri Hughes

Compositor:
Davide Battiston

Continuity:
Melissa Strizzi

Costume Design:
Sergio Ballo

Dialect Coach:
Sarah McGuiness

Digital Compositor:
Eleonora thiella

Director:
Uberto Pasolini

Director of Photography:
Marius Panduru

Drone Operator:
John Koukouzis

Editor:
David Charap

Electrician:
Fabrizio Amendola

Executive Producer:
Andrew Karpen
Kent Sanderson
Ralph Fiennes
Keith Kehoe
Torsten Poeck
Linda Vianello

Fight Choreographer:
Giorgio Antonini

Focus Puller:
Stefano Barabino

Foley Artist:
Gianluca Basili

Gaffer:
Fabio De Meis

Grip:
Nikos Adamakis

Hairstylist:
Dimitris Apostolidis
Barbara De Leonardis
Grazia Maria Giorgi

Key Grip:
Vasilis Charatzoglou

Key Hair Stylist:
Diarra Sidibe

Key Makeup Artist:
Manuela Caredda

Lead Animator:
Alessandra Restivo

Line Producer:
Guido Simonetti

Location Manager:
Giannis Dimitras

Makeup Artist:
Manuela Caredda
Silvia bezzecchi
Nasos Grammenos

Makeup Designer:
Luigi Roccheti

Marine Coordinator:
Marios Zevras

Music:
Goffredo Gibellini

Orchestrator:
Shane Rutherfoord-Jones

Original Music Composer:
Rachel Portman

Payroll Accountant:
Marco Coscarella

Producer:
James Clayton
Uberto Pasolini
Roberto Sessa
Giorgos Karnavas
Konstantinos Kontovrakis
Stéphane Moatti
Romain Le Grand
Vivien Aslanian
Marco Pacchioni

Production Design:
Giuliano Pannuti

Production Manager:
Stefano Daniele
Stavros Tsiaousis

Production Secretary:
iacopo matteoli

Props:
Benedetta Gagliardi
Lana Ranalli

Publicist:
Monica Gleberman
Lon Haber

Script Consultant:
Martin Mares

Seamstress:
Katerina korakianiti

Set Decoration:
Francesca Bottaro

Sound:
Alessandro Checcacci

Sound Mixer:
Maurizio Argentieri
Riccardo Righini

Special Effects:
Enrico Toscano

Special Effects Supervisor:
Tiberio Angeloni

Steadicam Operator:
Manuel Incagnoli

Still Photographer:
Maila Iacovelli
Fabio Zayed

Stunt Coordinator:
Alex Anlos
Giorgio Antonini
Massimiliano Ubaldi
Sotiris Kraniotis

Stunt Double:
Luis Pan Venezia

Stunts:
Andreas Achladis
Gianluca scilla
Tamara Tassi

Swing:
Christos Golfis

Thanks:
Eve Gabereau

Transportation Captain:
Orestis Dionysopoulos

Unit Manager:
Damiano Gennaro

Video Assist Operator:
Marta Rotelli

Wardrobe Assistant:
Penelope Mamalou

Writer:
John Collee
Edward Bond
Uberto Pasolini

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.