A work in constant progress (and occasional regress).
Release Date:
September 1, 1998
Original Title:
Beefcake
Genres:
Documentary | Drama | History
Production Companies:
Alliance Atlantis
Channel 4 Television
Emotion Pictures
La Sept-Arte
Mikado Film
Nova Scotia Film Development Corporation
Odeon Film
Odeon Films
Strand Releasing
Téléfilm Canada
Production Countries:
Canada | France | Italy | United Kingdom | United States of America
Ratings / Certifications:
N/A
Runtime: 91
A look at the 1950s muscle men's magazines and the representative industry which were popular supposedly as health and fitness magazines, but were in reality primarily being purchased by the still-underground homosexual community. Chief among the purveyors of this literature was Bob Mizer, who maintained a magazine and developed sexually inexplicit men's films for over 40 years. Aided by his mother, the two maintained a stable of not so innocent studs.
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ADR Mixer:
Randy Wilson
ADR Recordist:
Brian Power
Art Direction:
Jennifer Stewart
Assistant Director:
Jason Shipley
Assistant Production Coordinator:
Margaret Harrison
Associate Producer:
Dreux Ellis
Marc Betsworth
Barbara Badessi
Casting Director:
Michael Weir
Costume Designer:
James A. Worthen
Dialogue Editor:
Alastair Gray
Director:
Thom Fitzgerald
Director of Photography:
Thomas M. Harting
Dolly Grip:
Chris Baxter
Editor:
Susan Shanks
Michael Weir
Foley Artist:
Virginia Storey
Foley Recordist:
Randy Wilson
Music:
Christopher Mitchell
Musician:
Trevor Wentzell
Keith Power
Original Music Composer:
John Roby
Original Story:
Valentine Hooven
Producer:
Shandi Mitchell
Thom Fitzgerald
Production Assistant:
Michael Schaefer
Production Design:
D'Arcy Poultney
Second Assistant Director:
Kayla Popp
Sound:
Orest Sushko
Craig Mann
Lou Solakofski
Sound Effects Editor:
Clive Turner
Writer:
Thom Fitzgerald
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.