A work in constant progress (and occasional regress).
Release Date:
June 16, 2023
Original Title:
Greatest Days
Genres:
Comedy | Drama | Music
Production Companies:
Ascot Elite Entertainment Group
Elysian Film Group
SPG3 Entertainment
Zurich Avenue
Production Countries:
Switzerland | United Kingdom
Ratings / Certifications:
AU: M CH: 8 DK: 7 FI: K-7 GB: 12A|12 NL: 12 NZ: M SG: NC16
Runtime: 112
Based on the Take That musical, five best friends have the night of their lives seeing their favourite boy band in concert. Twenty-five years later, their lives have changed in many different ways as they reunite for one more epic show by their beloved band, to relight their friendship and discover that maybe their greatest days are ahead of them.
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Camera Trainee:
Florence Gilbertson
Construction Manager:
Dave Reed
Costume Standby:
Hélène Reeves
Megan Stuart Wallace
Director:
Coky Giedroyc
Director of Photography:
Mike Eley
Executive Producer:
Andrew Boswell
Tobias Gutzwiller
First Assistant Camera:
Lisa Cottington
First Assistant Director:
Freddie Hall
Key Grip:
Warwick Drucker
Location Manager:
Vasilis Dinopoulos
Makeup & Hair:
Karen Hartley-Thomas
Eszter Hercsik
Makeup Supervisor:
Carla Vicenzino
Music Supervisor:
James A. Taylor
Original Music Composer:
Nick Foster
Oli Julian
Producer:
Viviana Vezzani
Karl Spoerri
Danny Perkins
Damian Jones
Kate Solomon
Jane Hooks
Production Design:
Amanda McArthur
Production Manager:
Alex Molden
Production Sound Mixer:
Martin Beresford
Second Assistant Director:
Scott Claydon
Steadicam Operator:
James Paul Thomas
Still Photographer:
Alex Bailey
Stunt Coordinator:
James Grogan
Stunt Driver:
Catherine Peck
Stunts:
Joseph Grogan
Unit Production Manager:
Claudia Cimmino
Writer:
Tim Firth
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.