A work in constant progress (and occasional regress).
Release Date:
March 22, 1985
Original Title:
Friday the 13th: A New Beginning
Alternate Titles:
13. Cuma 5: Yeni Başlangıç
13. Gün 5 - Lanetli gün
Fredag den 13. nr. 5 - Det begynder igen
Fredagen den 13:e del 5
Fredagen den 13:e del 5 - En ny början
Freitag der 13. Teil 5 - Ein neuer Anfang
Freitag der 13. Teil V Ein neuer Anfang
Friday the 13th Part 5: A New Beginning
Friday the 13th Part V: A New Beginning
Friday the 13th: A New Beginning
Friday the 13th: A New Beginning - Part 5
Friday the Thirteen V: A New Beginning
Jome Sizdahom: Shorooei Tazeh
Martes 13 Parte 5: Un nuevo comienzo
Martes 13. 5.ª parte: Un nuevo comienzo
New Friday the 13th
Paraskevi kai 13 No 5: Loutro Aimatos
Perjantai 13. päivä osa 5 - Uusi alku
Petak 13-ti, 5. Deo - Novi početak
Petak 13.: Novi pocetak
Piatok trinásteho 5
Piątek trzynastego V: Nowy początek
Pátek trináctého 5
Péntek 13. - V. rész: Az újrakezdés
Sexta-Feira 13 - Parte 5: O Regresso
Sexta-Feira 13 - Parte 5: Um Novo Começo
Vendredi 13 - Chapitre 5: Une nouvelle terreur
Vendredi 13 : Chapitre V - Une nouvelle terreur
Vendredi 13, chapitre 5: Une nouvelle terreur
Venerdì 13: il terrore continua
Venerdì 13: parte 5 - Il terrore continua
Venerdì 13: parte V - Il terrore continua
Viernes 13 Parte 5 Un Nuevo Comienzo
Viernes 13 parte 5
Viernes 13. Parte V: Un nuevo comienzo
Viernes 13: Todo comienza de nuevo
Vineri 13 (V): Un nou început
Vrijdag de 13e, deel V - Een nieuw begin
Παρασκευή και 13 Νο 5: Λουτρό Αίματος
Петък 13-и: Част V-Ново начало
Пятница тринадцатое - Часть 5
Пятница тринадцатое - Часть 5: Новое начало
П’ятниця 13-те: Частина 5
П’ятниця 13-те: Частина V
新・13日の金曜日
黑色星期五5
Genres:
Horror | Mystery | Thriller
Production Companies:
Georgetown Productions Inc.
Paramount Pictures
Sean S. Cunningham Films
Terror, Inc.
Production Countries:
United States of America
Ratings / Certifications:
AR: +18 AU: R 18+ BR: 14 CA: 18A DE: 18|16 DK: 15 ES: 18 FI: K-18 FR: 16 GB: 18 IE: 18 IT: 14+ JP: R18+ MX: C NL: 16 PL: 18 PT: M/18 SE: 15 TR: 18+ US: R
Runtime: 92
Homicidal maniac Jason returns from the grave to cause more bloody mayhem. Young Tommy may have escaped from Crystal Lake, but he’s still haunted by the gruesome events that happened there. When gory murders start happening at the secluded halfway house for troubled teens where he now lives, it seems like his nightmarish nemesis, Jason, is back for more sadistic slaughters.
ADR Editor:
James Beshears
ADR Mixer:
Wallace R. Bearden
Additional Dialogue:
Tina Landau
Additional Second Assistant Director:
Gary Dahl
Assistant Accountant:
Michael Goldberg
Assistant Director Trainee:
Anita Dreike
Assistant Editor:
Armen Minasian
Karen Schwartz
Assistant Property Master:
Frederick B. Van Brunt
Best Boy Electric:
George Neil
Best Boy Grip:
Steve Queen
Boom Operator:
Patrushkha Mierzwa
Cableman:
Mary Jo Lang
Camera Car:
Dennis Jorgenson
Camera Operator:
Alan Caso
Dennis Jorgenson
Casting:
Pamela Basker
Fern Champion
Casting Assistant:
Mark Holub
Characters:
Sean S. Cunningham
Victor Miller
Color Timer:
Stephen R. Sheridan
Construction Coordinator:
Clayton Hartley
Craft Service:
Krystoff Przykucki
Dialogue:
Ray West
Director:
Danny Steinmann
Director of Photography:
Stephen L. Posey
Dolly Grip:
Dermot Stoker
Driver:
Jim Neilan
Dennis Jorgenson
John Bateman
Ruth Harmon
J.D. Orlebeck
Wayne Binkley
Rebecca Poulos
Chuck Merriam
Graham Richardson
Gene Graham
Editor:
Bruce Green
Electrician:
David Amann
Barbara Way
Darrell Gardiner
Executive Producer:
Frank Mancuso Jr.
Finance:
Danny Steinmann
First Assistant Camera:
Tommy Magglos
First Assistant Director:
Leon Dudevoir
Gaffer:
Richard Sands
Grip:
Chuck Wells
Wayne Stroud
David Donahoe
Jim Neilan
Hairstylist:
Enid Arias
Key Grip:
Dermot Stoker
Leadman:
Alexander Hendrie
Location Manager:
Pam O'Har
Main Title Designer:
Dan Curry
Makeup Artist:
Kathryn Fenton
Music:
Harry Manfredini
Bob Minkler
Music Editor:
Jack K. Tillar
Producer:
Timothy Silver
Producer's Assistant:
Mary Carroll Kaltenbach
Production Accountant:
Constance Talley-Sherman
Production Assistant:
Ron Zimmerman
Sheri Hooper
Production Coordinator:
Sylvia White
Jeanne O'Brien-Ebiri
Production Design:
Robert Howland
Production Secretary:
Shelley Anne Weiss
Production Sound Mixer:
Mark Ulano
Property Master:
Barbara Benz
Scenic Artist:
Jeanne Lambert
Robert Rosenbaum
Screenplay:
Martin Kitrosser
Danny Steinmann
David Cohen
Script Supervisor:
Connie Barzaghi
Second Assistant Camera:
Mark Davison
Second Assistant Director:
Denis L. Stewart
Second Second Assistant Director:
Mike Topoozian
Set Decoration:
Pamela B. Warner
Set Dresser:
Sara Lee Wade
Michael Gastaldo
Set Medic:
Thomas W. Foster
Sound Effects:
Chris Carpenter
Sound Effects Editor:
Larry Carow
David B. Cohn
Robert R. Rutledge
Sound Mixer:
Mark Ulano
Sound Post Production Coordinator:
Glen Glenn
Sound Re-Recording Mixer:
Bob Minkler
Ray West
Chris Carpenter
Special Effects:
Thomas K. Hartigan
Frank 'Paco' Munoz
Mark A. Sparks
Tom Del Genio
Victor D. Lupica
Duncan J. Simpson
Special Effects Coordinator:
Frankie Inez
Special Effects Makeup Artist:
Martin Becker
Earl C. Ellis Jr.
David B. Miller
Anton Ruprecht
Larry S. Carr
WM. Scott Strong
David Nelson
Special Effects Supervisor:
Martin Becker
Stand In:
Curtis Ross
Eddie Matthews
Edwina Barzaghi
Steadicam Operator:
Alan Caso
Still Photographer:
Joe Mealey
Story:
Martin Kitrosser
David Cohen
Studio Teacher:
Barbara Gogny
Stunt Coordinator:
Dick Warlock
Stunt Double:
Johnny Hock
Tom Morga
Stunts:
Steven Lambert
Debbie Evans
Gene LeBell
Gene Hartline
Desiree Keins
John Moio
Debbie Lynn Ross
John Sherrod
Ed Shinstine
Cindy Wills
Ray Woodfork
John Hock
Transportation Captain:
James O'Keefe
Transportation Co-Captain:
Lawrence J. Romanoff
Transportation Coordinator:
Perry Husman
Wardrobe Assistant:
Janis Larkham
Nola Sharp
Wardrobe Supervisor:
Camille Schroeder
Writer:
John Shepherd
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.