A work in constant progress (and occasional regress).
Release Date:
December 6, 1996
Original Title:
Everyone Says I Love You
Alternate Titles:
Alle sier "I love you"
Ολοι Λένε: Σ`Αγαπώ
Всеки казва "Обичам те"
為你唱情歌
Genres:
Comedy | Romance
Production Companies:
Jean Doumanian Productions
Sweetland Films
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 CZ: U DE: 6 KR: 15 US: R
Runtime: 101
A New York girl sets her father up with a beautiful woman in a shaky marriage while her half sister gets engaged.
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Additional Casting:
Judie Fixler
Administration:
Sophie Drouin
Anna Maria Vigano
Animation Supervisor:
Daniel Leung
Apprentice Sound Editor:
Donovan C. Howard
Art Department Coordinator:
Glenn Lloyd
Art Direction:
Cynthia Sleiter
Tom Warren
Assistant Costume Designer:
Suzanne McCabe
Assistant Director:
Jerome Borenstein
Genka Emili
Assistant Editor:
Kent Blocher
Janice Keuhnelian
William Kruzykowski
Assistant Production Coordinator:
Dori Golod
Assistant Sound Editor:
Benjamin Cheah
Dan Evans Farkas
Best Boy Electric:
Francis Brady
Best Boy Grip:
Ronald Burke
Boom Operator:
Micah Solomon
Camera Operator:
Dick Mingalone
Camera Trainee:
Brian Fass
Carpenter:
Frank Didio
Ron Petagna
Casting:
Juliet Taylor
Casting Associate:
Patricia Kerrigan DiCerto
Choreographer:
Graciela Daniele
Co-Executive Producer:
Letty Aronson
Jack Rollins
Charles H. Joffe
Co-Producer:
Helen Robin
Conductor:
Dick Hyman
Construction Coordinator:
Ron Petagna
Costume Assistant:
Eric Mendelsohn
Lisa Emerson
Costume Design:
Jeffrey Kurland
Craft Service:
Steve Dinkes
Dialogue Editor:
Sylvia Menno
Digital Compositors:
Matt McDonald
Lawrence Huang
Jeff Linnell
Director:
Woody Allen
Director of Photography:
Carlo Di Palma
Dolby Consultant:
Bradford L. Hohle
Editor:
Susan E. Morse
Electrician:
Jean-François Drigeard
Chris Hammond
Eric Gies
Executive Producer:
Jean Doumanian
J.E. Beaucaire
First Assistant Camera:
Michael Green
First Assistant Director:
Richard Patrick
Foley Artist:
Marko Costanzo
Foley Editor:
Steven Visscher
Frank Kern
Janice Keuhnelian
Kam Chan
Foley Supervisor:
Bruce Pross
Gaffer:
Michael Proscia Jr.
Jean-Claude Le Bras
Jean-Pierre Lacroix
Domenico Cavaliere
Grip:
John Wassel
Rick Marroquin
Hairstylist:
Werner Sherer
Romaine Greene
Head Carpenter:
Robert DiGrigoli
Key Construction Grip:
Edward T. Kerwick
Key Grip:
Mario Tessarin
Robert Ward
André Bouladoux
Key Scenic Artist:
James Sorice
Location Assistant:
Alexander Cohen
Location Manager:
Olivier Lhoste
Pierre Gralhon
Drew Dillard
Location Scout:
Heidi Topper
Tom Ross
Tom Yeager
Makeup Artist:
Rosemary Zurlo
Fern Buchner
Music Arranger:
Dick Hyman
Producer:
Robert Greenhut
Production Coordinator:
Scott Kordish
Blanche Wiesenfeld
Production Design:
Santo Loquasto
Production Manager:
Helen Robin
Production Sound Mixer:
Gary Alper
Production Supervisor:
Guido Cerasuolo
Lucia Connelli
Suzanne Wiesenfeld
Michele Virglio
Projection:
Carl Turnquest
Property Master:
Ron Stone
Scenic Artist:
Cliff Schorr
Gilles Piéri
Screenplay:
Woody Allen
Script Supervisor:
Kay Chapin
Second Assistant Camera:
David E. Baron
Second Assistant Director:
Amy Lynn
Set Decoration:
Elaine O'Donnell
Set Dresser:
Daniel K. Grosso
Set Dressing Artist:
John Peter Melendez
Sound Re-Recording Mixer:
Lee Dichter
Sound Recordist:
Kira Smith
Special Effects Coordinator:
Connie Brink
Still Photographer:
John Clifford
Stunt Coordinator:
Bill Anagnos
Roy Farfel
Stunts:
Vic Bucossi
Supervising Sound Editor:
Robert Hein
Thanks:
Jill Rosenthal
Andres Garcia
Transportation Captain:
Peter Tavis
Harold 'Whitey' McEvoy
Unit Manager:
Patrick Gordon
Enrico Ballarin
Visual Effects Coordinator:
William Kruzykowski
Visual Effects Producer:
Kathy Kelehan
Visual Effects Supervisor:
Randall Balsmeyer
Vocal Coach:
Arlene Martel
Wardrobe Supervisor:
Melissa Stanton
Peter White
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.