A work in constant progress (and occasional regress).
Release Date:
October 18, 2021
Original Title:
The Baldies
Genres:
Documentary
Production Companies:
Twin Cities Public Television
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 53
Skinhead culture started as multi-cultural, working-class, and anti-racist, but soon was co-opted by white supremacy. To fight back against Nazis, the Baldies were formed in Minneapolis and beyond.
Associate Producer:
Susan Thao
Cinematography:
Matt Ehling
Jacob Kelso
Josh Fritz
Ian Westmoreland
Director:
David Roth
Executive Producer:
Daniel Pierce Bergin
Graphic Designer:
Ben Malley
Online Editor:
Carrie Clark
Producer:
David Roth
Production Assistant:
Anne Guttridge
Production Coordinator:
Abdifatah Abdi
Production Manager:
Kristen Blekum
Supervising Producer:
Adam Geiger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.