Haute Couture (1954) [N/A]

Release Date:
May 6, 1954

Original Title:
Alta costura

Genres:
Drama

Production Companies:
Asociación de Técnicos y Artistas (ATA)
Cinesol

Production Countries:
Spain

Ratings / Certifications:
 N/A

Runtime: 89

Tona, model of a fashion house goes to see her ex-boyfriend to claim for some letters and finds him dead. Under the fear that the crime is attributed to her and also because she will soon marry Ramon, a rich young man of good family, she says nothing and goes to work as usual to show models. Meanwhile, the police opens an investigation.

Additional information:

The Search Form


Assistant Camera:
Fernando Guillot
Francisco Araña

Assistant Director:
Julio Buchs

Assistant Editor:
Patro Navarrete

Assistant Makeup Artist:
Roque Millán

Camera Operator:
Salvador Gil

Construction Coordinator:
Francisco Prósper

Costume Design:
Balenciaga

Director:
Luis Marquina

Director of Photography:
Heinrich Gärtner

Editor:
Magdalena Pulido

Hairstylist:
Elena Irazola

Makeup Artist:
Julián Ruiz

Music:
José Muñoz Molleda

Novel:
Darío Fernández Flórez

Production Assistant:
Ricardo Díaz
Gonzalo Asensio

Production Manager:
Joaquín Cuquerella

Production Secretary:
José Luis Román

Props:
Antonio Luna

Screenplay:
Darío Fernández Flórez

Script Supervisor:
Lucía Martín

Set Decoration:
Luis Pérez Espinosa
Gil Parrondo

Sound:
Jaime Torrens

Sound Recordist:
Gabriel Basagaña

Still Photographer:
Rafael Pacheco

Writer:
Luis Marquina

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.