A work in constant progress (and occasional regress).
Release Date:
March 21, 2022
Original Title:
Home Sweet Home
Genres:
Drama
Production Companies:
Amnesty International
Ratings / Certifications:
N/A
Runtime: 4
Our homes resemble us. They are our memories and our futures. Right now, 150,000+ Palestinians are at risk of losing their homes. At the heart of Israel’s apartheid system is to deny Palestinians a home. Help end demolitions and forced evictions. Take action with Amnesty International now.
Art Direction:
Abedlrahman Ali Jarekji
Assistant Costume Designer:
Toulene Abeda
Assistant Director:
Deema Amr
Assistant Makeup Artist:
Mustafa Shalby
Assistant Unit Manager:
Alaa Alhourani
Issam Aljourani
BTS Footage:
Abood Abu Laban
Best Boy Grip:
Ammar Albeik
Ehsan Al Baqa
Camera Operator:
Amr Khaled
Colorist:
Mahmoud Ali
Costume Designer:
Zaina Soufan
Director:
Omar Rammal
Director of Photography:
Ahmad Jalboush
Editor:
Abdelhadi Qasrawi
Tamara Alsa'di
Electrician:
Ameer Saudi
Husam Jalboush
Gaffer:
Hosni Al Baqa
Hairstylist:
Ahmad Abu Rabeea
Key Grip:
Qusai Harb
Leadman:
Iskandarani
Location Manager:
Abood Abuja'a'far
Makeup & Hair:
Laura Madar
Producer:
Tima Al Ahmad
Production Assistant:
Ahmad Aljboor
Production Coordinator:
Sara Abdulraheem
Production Designer:
Rand Abdalnour
Production Manager:
Farah Ramadan
Property Master:
Ibrahim Qayet
Runner Art Department:
Mousa Dryseh
Second Assistant Art Director:
Moayad Abuda'iabis
Second Assistant Camera:
Hussein Qi'dan
Set Decoration:
Yazn Abujaafar
Songs:
Noel Kharman
Nick Dahger
Sound Designer:
Nick Dahger
Sound Recordist:
Danial Almasa'deh
Supervisor of Production Resources:
Khaldoon Alhourani
Third Assistant Director:
Hisham Masa'deh
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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