A work in constant progress (and occasional regress).
Release Date:
March 17, 2006
Original Title:
She's the Man
Alternate Titles:
Ella es el Chico
L'homme c'est elle
She is the man
Super náhradník
Una chica en apuros
球爱可人儿
Genres:
Comedy | Romance
Production Companies:
DreamWorks Pictures
Lakeshore Entertainment
The Donners' Company
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 12 DE: 6 ES: A FR: TP GB: 12A JP: PG12 NL: 6 NO: A PT: M/6 US: PG-13
Runtime: 105
Viola Hastings is in a real jam. Complications threaten her scheme to pose as her twin brother, Sebastian, and take his place at a new boarding school. She falls in love with her handsome roommate, Duke, who loves beautiful Olivia, who has fallen for Sebastian! As if that were not enough, Viola's twin returns from London ahead of schedule but has no idea that his sister has already replaced him on campus.
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"B" Camera Operator:
Junichi Hosoi
ADR Editor:
Thomas Jones
Ralph Osborn
ADR Mixer:
Jeff Gomillion
Christopher Cleator
ADR Recordist:
Philip Rogers
Additional Casting:
Coreen Mayrs
Heike Brandstatter
Additional Music:
Gary Chase
Additional Second Assistant Camera:
Aki Shigematsu
Animation:
Johnny Wong
Art Direction:
John Burke
John R. Jensen
Assistant Costume Designer:
Ellen Anderson
Assistant Director Trainee:
Gordon Piper
Assistant Editor:
Carolle Alain
Assistant Hairstylist:
Susan Boyd
Assistant Location Manager:
Linda Yip
Assistant Makeup Artist:
Gitte Axen
Tamar Ouziel
Rebecca Lee
Assistant Property Master:
Derek Pineo
Assistant Sound Editor:
Mark Coffey
Boom Operator:
Bob Holbrook
Michael Hibberson
Camera Loader:
Artino Ahmadi
Camera Operator:
Tony Mirza
Camera Trainee:
Shannon Abbott
Casting:
Randi Hiller
Sarah Halley Finn
Casting Assistant:
James McKenzie Moore
Casting Associate:
Tamara Hunter
Color Timer:
Lee Wimer
Compositing Lead:
Christine Petrov
Conductor:
Pete Anthony
Construction Coordinator:
Chris Sneddon
Construction Foreman:
Warren Dunlop
Costume Design:
Katia Stano
Costume Supervisor:
Zina Richardson
Costumer:
Summer Dietz
Gerry Gail Endean
Debra Torpe
Dialogue Editor:
David Williams
Digital Compositor:
Trevor Strand
Colin Liggett
Peter Hunt
Eric Ponton
Simon Ager
Tomaso Tartarotti
Geeta Basantani
Brian Hanable
Jim O'Hagan
Lee Allan
Digital Effects Producer:
Kristin Dearholt
Digital Intermediate Colorist:
Paul Bronkar
Director:
Andy Fickman
Director of Photography:
Greg Gardiner
Editor:
Michael Jablow
Executive Producer:
Marty P. Ewing
Tom Rosenberg
Gary Lucchesi
Extras Casting:
Natasha Tony
Extras Casting Coordinator:
Dylan Staniforth
Extras Makeup Artist:
Carole Simcox
First Assistant "A" Camera:
Bob Findlay
First Assistant Camera:
Nicholas McKenzie
First Assistant Director:
Patrice Leung
First Assistant Editor:
Heather Mullen
First Assistant Production Coordinator:
Peter Lapres
First Assistant Sound Editor:
Josephine Nericcio
Focus Puller:
Jessica Moskal
Foley Artist:
Catherine Harper
Foley Mixer:
Darrin Mann
Graphic Designer:
Lee Anne Elaschuk
Hairstylist:
Nina Paskowitz
Diane Holme
Head Carpenter:
Douglas Jang
Key Costumer:
Carolyn Bentley
Key Hair Stylist:
Thom MacIntyre
Key Makeup Artist:
Rosalina Da Silva
Lead Painter:
Mark N. Tompkins
Jason Claridge
Darryl Tifenbach
Location Scout:
Nick Bergstedt
Makeup Artist:
Peter Robb-King
Music Editor:
Brent Brooks
Music Supervisor:
Jennifer Hawks
Negative Cutter:
Gary Burritt
Orchestrator:
Gary Chase
Milton Nelson
Original Music Composer:
Nathan Wang
Paint Coordinator:
Herminio Kam
Post Production Assistant:
Tom Hanada
Post Production Supervisor:
Mark Graziano
Producer:
Lauren Shuler Donner
Ewan Leslie
Production Coordinator:
Moira Perlmutter
Production Design:
David J. Bomba
Production Executive:
Steven R. Molen
Production Manager:
Drew Locke
Wayne Bennett
Production Sound Mixer:
Rob Young
Property Master:
David Perun
Rigging Gaffer:
Cory Hodson
Rotoscoping Artist:
Riley Benard
Kamil Damji
Paul Wiens
Peter Hart
Scenic Artist:
J.J. Mestinsek
Scoring Mixer:
Joel Iwataki
Screenplay:
Karen McCullah
Ewan Leslie
Kirsten Smith
Script Supervisor:
Betty Bennett
Tracy Young
Second Assistant Camera:
Caragh Fitzsimmons
Second Assistant Director:
Tracey Poirier
Second Assistant Production Coordinator:
Janet Glowa
Second Second Assistant Director:
Kit Marlatt
Julie Hemmerling
Second Unit Director:
Alexander Witt
Second Unit Director of Photography:
Ronald Hersey
Second Unit First Assistant Director:
Tim Sereda
Set Decoration:
Dominique Fauquet-Lemaitre
Set Designer:
John Marcynuk
Set Dresser:
Scott Holburn
Michael A. Billings
Sign Painter:
Andrew Glavina
Sound:
Oscar Mitt
Karen Schell
Sound Designer:
Mark Binder
Sound Effects Editor:
Piero Mura
David A. Whittaker
Mike Chock
Steve Lee
Sound Re-Recording Mixer:
Andy Koyama
Chris Carpenter
Mark Binder
Sound Recordist:
Bill Meadows
Special Effects Assistant:
Louis Vassalos
Special Effects Coordinator:
Lars Lenander
Special Effects Supervisor:
Don Leask
Steadicam Operator:
Junichi Hosoi
Still Photographer:
Rob McEwan
Story:
Ewan Leslie
Stunt Coordinator:
Marny Eng
Stunt Double:
Colby Chartrand
Jeffrey C. Robinson
Sharon Simms
Cody Laudan
Ashlea Earl
Jennifer Mylrea
Stunts:
Claude Bouchard
Adrian Hein
Laura Lee Connery
Gerald Paetz
Clint Carleton
Dave Lane
Christopher Gordon
Dave Hospes
Danny Hospes
Trevor Jones
Supervising Dialogue Editor:
Ralph Osborn
Supervising Sound Editor:
Richard L. Anderson
Third Assistant Director:
Cabral Rock
Title Designer:
Garson Yu
Transportation Captain:
David Halliday
Don Stenstrom
Transportation Coordinator:
John O'Toole
Truck Costumer:
Christina Petford
Utility Stunts:
Shawn Beaton
VFX Artist:
Bartek Kujbida
Antonio Torres
Ryan Mintenko
VFX Editor:
Paul Furminger
Video Assist Operator:
Andrew Pedley
George Collins
Visual Effects:
Jose Burgos
Madhava Reddy
Visual Effects Compositor:
Lee Pierce
Visual Effects Coordinator:
Marta Mintenko
Visual Effects Design Consultant:
Nicholas Boughen
Visual Effects Producer:
Ashley Clark
Shauna Bryan
Visual Effects Supervisor:
Mark Breakspear
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.