A work in constant progress (and occasional regress).
Release Date:
February 28, 1975
Original Title:
Professione: reporter
Alternate Titles:
Beroep: reporter
El pasajero
O Repórter
Sasurai no futari
Yrke: reporter
Профессия: Репортер
旅客
职业:记者
Genres:
Drama | Mystery | Thriller
Production Companies:
C. C. Champion
CIPI Cinematografica S.A.
Les Films Concordia
Metro-Goldwyn-Mayer
Production Countries:
France | Italy | Spain | United States of America
Ratings / Certifications:
CZ: 15+ DE: 12 FR: TP HU: 12 IT: T JP: PG12 NL: 6|16 PL: 12 PT: M/12 US: PG-13|PG
Runtime: 126
David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.
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Art Direction:
Piero Poletto
Assistant Director:
Enrica Antonioni
Enrico Sannia
Hercules Bellville
Federico Canudas
Claudio Taddei
Ina Fritsche
Assistant Editor:
Franco Letti
Costume Design:
Louise Stjernsward
Director:
Michelangelo Antonioni
Director of Photography:
Luciano Tovoli
Editor:
Michelangelo Antonioni
Franco Arcalli
Executive Producer:
Alessandro von Norman
Hairdresser:
Adalgisa Favella
Makeup Artist:
Franco Freda
Music:
Ivan Vandor
Producer:
Carlo Ponti
Screenplay:
Mark Peploe
Michelangelo Antonioni
Miguel De Echarri
Peter Wollen
Enrico Sannia
Set Decoration:
Osvaldo Desideri
Sound:
Primiano Muratori
Sound Designer:
Michael Ellis
Franca Silvi
Sound Editor:
Alessandro Peticca
Sound Effects Editor:
Fernando Caso
Sound Mixer:
Fausto Ancillai
Sound Recordist:
Cyril Collick
Story:
Mark Peploe
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.