A work in constant progress (and occasional regress).
Release Date:
December 25, 2003
Original Title:
Paycheck
Alternate Titles:
Chas rasplaty
Chas vidplaty
El pago
I apozimiosi
Isplata
La Paye
Zaplashtaneto
空头支票
致命报酬
記憶裂痕
Genres:
Action | Adventure | Mystery | Science Fiction | Thriller
Production Companies:
Davis Entertainment
DreamWorks Pictures
Lion Rock Productions
Paramount Pictures
Solomon/Hackett Productions
Production Countries:
Canada | United States of America
Ratings / Certifications:
AU: M BE: 14 BR: 12 CH: 12 CZ: 12+ DE: 12 DK: 11 FR: 12 GB: 12A GR: 13 HU: 12 IE: 12 KR: 15 NL: 12 NO: 15 PL: 16 RO: 15 RU: 16+ SE: 15 US: PG-13
Runtime: 119
Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security. But at the end of a three-year job, he's told he isn't getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn't paid – and why he's now in hot water.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Supervisor:
Conrad Dueck
ADR Editor:
Zack Davis
ADR Mixer:
Alex Raspa
Additional Camera:
Lance Fisher
Additional Editing:
Derek Brechin
Additional Music:
T.J. Lindgren
Additional Second Assistant Camera:
Alan Jacoby
Additional Third Assistant Director:
Cameron Kuc
Aerial Director of Photography:
Phil Pastuhov
Art Department Coordinator:
Slava Shmakin
Art Direction:
Sandy Cochrane
Assistant Accountant:
Tina Dawson
Assistant Art Director:
Nancy Anna Brown
Assistant Camera:
Kevin Haverty
Assistant Chief Lighting Technician:
Jim Rose
Assistant Director:
Ashley Bell
Assistant Editor:
Kris Cole
Assistant Location Manager:
Flemming Lund
Assistant Makeup Artist:
Cindy Barlow
Assistant Production Coordinator:
Rhiannon A. Charles
Assistant Property Master:
Brian Epp
Don Anderson
Assistant Set Dresser:
Tristan Oliver
Assistant Sound Editor:
Ronnie Morgan
Best Boy Electric:
Jeff Harvey
Best Boy Grip:
Paul Arnel
Boom Operator:
Kristian Bailey
CG Artist:
John Cassella
CG Supervisor:
Rusty Ippolito
Camera Operator:
Ciaran Kavanagh
Carpenter:
Janice Lynn Coats
Casting:
Mindy Marin
Casting Assistant:
James McKenzie Moore
Co-Producer:
Arthur Anderson
Caroline Macaulay
Color Timer:
Dennis McNeill
Compositing Lead:
Christine Albers
Conceptual Design:
Natasha Rand
Conceptual Illustrator:
Adrien van Viersen
Conductor:
Gavin Greenaway
Construction Buyer:
Maureen Carey
Construction Coordinator:
Craig Henderson
Costume Design:
Erica Edell Phillips
Costume Set Supervisor:
Isabel Bloor
Costumer:
Jenny Eagan
Craft Service:
Jason Ybarra
Daily Grip:
Paul T. Murakami
Dialogue Editor:
Mike Szakmeister
Digital Compositors:
Jason Booth
Digital Effects Supervisor:
Patrick Kavanaugh
Director:
John Woo
Director of Photography:
Jeffrey L. Kimball
Dolly Grip:
Michael McLellan
Reid Cohoon
Dresser:
Meg Matthews
Editor:
Christopher Rouse
Kevin Stitt
Electrician:
Jesse Deacon
Executive Producer:
David Solomon
Stratton Leopold
Extras Casting:
Andrea Brown
Fight Choreographer:
Ronn Surels
First Assistant Accountant:
Karen Bergen
First Assistant Camera:
Bob Findlay
First Assistant Director:
Arthur Anderson
First Assistant Editor:
Carolle Alain
First Assistant Production Coordinator:
Adrienne Sol
First Assistant Sound Editor:
Anne Couk
Foley Artist:
Robin Harlan
Foley Editor:
Willard Overstreet
Foley Mixer:
Randy Singer
Gaffer:
Dan Delgado
General Manager:
Donald Fly
Generator Operator:
Roger Bailey
Graphic Designer:
Keli Manson
Grip:
Karl Harrison
Hair Designer:
Ilona Herman
Hairstylist:
Susan Boyd
Head Greensman:
Dave Emmonds
Key Grip:
Steve Smith
Key Hair Stylist:
Thom MacIntyre
Key Production Assistant:
Leon Thomas Braun
Leadman:
Pat Waller
Lighting Artist:
Alex Murtaza
Lighting Technician:
Dave Roughley
Location Assistant:
Mark Maxson
Location Coordinator:
Paisley Shaw
Location Manager:
Bruce L. Brownstein
Makeup Artist:
Emanuela Daus
Music Editor:
Sally Boldt
Musician:
George Doering
Orchestrator:
Bruce Fowler
Original Music Composer:
John Powell
Paint Coordinator:
Jean-Paul Costaz
Payroll Accountant:
Michele Lee
Post Production Assistant:
John Dietrick
Post Production Supervisor:
Kiki Morris
Producer:
Terence Chang
John Woo
John Davis
Michael Hackett
Production Accountant:
Maryjane Layani
Production Assistant:
Cory Lee
Production Coordinator:
Jasmine Barry
Production Design:
William Sandell
Production Illustrator:
Brent Boates
Production Manager:
Casey Grant
Property Buyer:
Aleya Naiman
Property Master:
Grant Swain
Publicist:
Bronwyn Preston
Researcher:
Chris Allen
Rigging Gaffer:
Bruce Borland
Rigging Grip:
Cliff Cenerini
Rotoscoping Artist:
Cecile Tecson Broas
Scoring Mixer:
Shawn Murphy
Screenplay:
Dean Georgaris
Script Supervisor:
Cate Hardman
Second Assistant Camera:
David Lourie
Second Assistant Director:
Jamie Marshall
Second Assistant Production Coordinator:
Breanne Larrett
Second Unit Director:
Brian Smrz
Security:
Corinna Gagnon
Set Costumer:
Marco Pimenta
Set Decoration:
Elizabeth Wilcox
Set Dresser:
Dennis Simard
Set Painter:
Shaun Bullied
Short Story:
Philip K. Dick
Sound Designer:
Alan Rankin
Sound Effects Editor:
Christopher Assells
Sound Engineer:
John Bires
Sound Mixer:
Chris Glyn-Jones
Sound Recordist:
Brian Basham
Special Effects Assistant:
Sylvain Houle
Special Effects Coordinator:
Al Di Sarro
Special Effects Technician:
Eric Milner
Stand In:
Claire Smithies
Steadicam Operator:
Junichi Hosoi
Still Photographer:
Douglas Curran
Story Editor:
Marc Marcum
Storyboard Artist:
Raymond Dumas
Stunt Coordinator:
Gregg Smrz
Stunt Double:
Sharon Simms
Jon Kralt
Jimmy N. Roberts
Corry Glass
Stunt Driver:
Shane Cardwell
Stunts:
Andrea Kinsky
Brett Armstrong
Owen Walstrom
Terry Jackson
Mike Desabrais
Randy Hall
David Jacox
Ryan Ennis
Ken Kirzinger
Rick Seaman
Scott J. Ateah
Bill Ferguson
Kim Howey
Adrian Hein
Jake Brake
Mike Crestejo
Garvin Cross
Mike Dopud
Rob Fournier
Jason Calder
Diana Dutra
Duane Dickinson
Alex Green
Guy Bews
William Lawrence
Celia Bond
Tom Glass
Kathy Hubble
Terrance Leigh
Dan Shea
Mary Ann Skoll
Scott Nicholson
Leanne Buchanan
Vince Crestejo
Dane Farwell
Bruce Fontaine
John Branagan
Curt Bonn
William Morts
Daniel B. Melles
Darryl Scheelar
Jimmy N. Roberts
Kimani Ray Smith
Seth Longworth
Heath Stevenson
Claire Webb
Bob Kursar
Larry Lam
Angela Uyeda
Paul Wu
Steven McMichael
Gerald Paetz
Dan Redford
Ronn Surels
Frank Torres
John Wardlow
Rob Wilton
Don Lew
Tom McComas
Roxanne Wong
Raymond Sammel
John Sampson
Cotton Mather
Rene Van Hullebush
Doug Chapman
Mark Aisbett
Rick Pearce
Gilbert B. Combs
Joe Doserro
Keii Johnston
Supervising ADR Editor:
Robert Ulrich
Supervising Sound Editor:
Per Hallberg
Systems Administrators & Support:
Shawn Wallbridge
Techno Crane Operator:
Bryan Fletchall
Third Assistant Director:
Daniel Mansfield
Michael Collins
Title Designer:
Garson Yu
Transportation Co-Captain:
Ryan Moroz
Transportation Coordinator:
Mark 'Blue' Angus
Mike Sassen
Truck Costumer:
Sondra Durksen
Unit Manager:
Yvonne Melville
Unit Production Manager:
Stratton Leopold
Utility Stunts:
Paul M. Lane
Video Assist Operator:
Tony Rush
Visual Effects:
Pam Hammond
Visual Effects Coordinator:
Ian Cope
Visual Effects Editor:
Linda Drake
Visual Effects Producer:
Denise Davis
Visual Effects Production Assistant:
Allen Tracy
Visual Effects Supervisor:
Chris Bond
Wigmaker:
Stacey Butterworth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.