A work in constant progress (and occasional regress).
Release Date:
December 1, 2022
Original Title:
Vanskabte land
Alternate Titles:
Dievzeme
Kutsumus
Vanskapte land
Volaða Land
ゴッドランド/GODLAND
갓랜드
Genres:
Drama
Production Companies:
Film i Väst
Garagefilm International
Join Motion Pictures
Maneki Films
Snowglobe
Production Countries:
Denmark | France | Iceland | Sweden
Ratings / Certifications:
DK: 11 FI: K-12 GB: 12A|12 KR: 12|15 PL: 16 SE: 11
Runtime: 143
In the late 19th century, a young Danish priest travels to a remote part of Iceland to build a church and photograph its people. But the deeper he goes into the unforgiving landscape, the more he strays from his purpose, the mission and morality.
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ADR Recording Engineer:
Peter Seeba
Additional Grip:
Leon Czajkowski
Art Department Assistant:
Áslákur Ingvarsson
Art Department Coordinator:
Elísabet 'Linda' Þórðardóttir
Art Direction:
Rebekka A. Ingimundardóttir
Assistant Director:
Tommy Oksen
Assistant Property Master:
Guðmundur Óskar Sigurmundsson
Associate Producer:
Alicia Hansen
Signe Höeg
Giulia Triolo
Best Boy Grip:
Sveinbjörn Óli Ólason
Best Boy Lighting Technician:
Kari Valdimarsson
Boom Operator:
Eyþór Örn Margrétarson
Eyþór Örn Magnússon
Camera Trainee:
Aron Davidsson
Carpenter:
Róbert Smári Daðason
Árni Jónsson
Matija Mihaljenovic
Anton Björn Árnason
Casting:
Rie Hedegaard
Cinematography:
Maria von Hausswolff
Co-Producer:
Didar Domehri
Guðmundur Arnar Guðmundsson
Anthony Muir
Peter Possne
Mimmi Spång
Construction Manager:
Emil Petursson
Costume Assistant:
Sesselja Fanneyjardóttir
Sigrún Ásta Jörgensen
Charlotte Scheffmann Weber
Hanna Björk Valsdóttir
Sigríður Þórunn Þorvaldsdóttir
Costume Design:
Nina Grønlund
Dialogue Editor:
Nicolas Liebing
Director:
Hlynur Pálmason
Director of Photography:
Maria von Hausswolff
Driver:
Oddur Roth
Editor:
Julius Krebs Damsbo
Electrician:
Oddur Elíasson
Óttar Andri Óttarsson
Executive Producer:
Elliott Crosset Hove
Hlynur Pálmason
Ingvar E. Sigurðsson
First Assistant Camera:
Agathe Corniquet
Julian Lalinde Martinez
First Assistant Director:
Hilmar Guðjónsson
Focus Puller:
Julian Lalinde Martinez
Foley Recordist:
Stéphane De Rocquigny
Gaffer:
Dagur Benedikt Reynisson
Head Carpenter:
Jóhannes Ottóson
Key Grip:
Haraldur Hrafn Thorlacius
Line Producer:
Birgitta Björnsdottir
Location Manager:
Emil Morávek
Makeup Artist:
Katrine Tersgov
Louise Weiland
Music:
Alex Zhang Hungtai
Pipeline Technical Director:
Emil Gunnarsson
Post Producer:
Clas Hakeröd
Producer:
Katrin Pors
Anton Máni Svansson
Eva Jakobsen
Mikkel Jersin
Production Design:
Frosti Fridriksson
Production Manager:
Magnea Helgadottir
Emil Morávek
Production Runner:
Arnor Trausti Halldorsson
Þórgunnur Þórsdóttir
Script Supervisor:
Tommy Oksen
Second Assistant Camera:
Marta Natoli
Jana Noel
Second Assistant Director:
Kristín Ósk Sævarsdóttir
Set Dresser:
Kristinn Guðmundsson
Árni Jónsson
Rikhardur Hjartar Magnusson
Set Painter:
Þorvaldur Böðvar Jónsson
Ingjaldur Kárason
Steingrímur Þorvaldsson
Sound Assistant:
Nanna Dam-Hendriksen
Sound Designer:
Kristian Eidnes Andersen
Björn Viktorsson
Sound Editor:
Jacob Davidsen
Stunt Coordinator:
Jón Viðar Arnþórsson
Ingibjörg Helga Arnþórsdóttir Imma
Supervising Producer:
Johnny Andersen
Third Assistant Camera:
Heiða Ósk Gunnarsdóttir
Kristófer Smári Leifsson
Visual Effects Compositor:
Per Nyman
Pär Olsson
Zafer Fanari
Ruben Ejdestig
Visual Effects Supervisor:
Anders Nyman
Writer:
Hlynur Pálmason
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.