A work in constant progress (and occasional regress).
Release Date:
June 21, 2023
Original Title:
Magnificat
Genres:
Comedy | Crime | Drama
Production Companies:
Move Movie
Terence Films
Production Countries:
France
Ratings / Certifications:
FR: TP
Runtime: 98
When an elderly priest died, the people in charge of his diocese discovered that it was a woman. Without anyone suspecting it, she had been practicing her vocation for years. Dismayed, the bishop decided to launch an investigation and asked the chancellor of the diocese to find out how, why and with what complicity such a deception was possible.
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ADR Mixer:
Julien Martin
Action Director:
Marc Hoang
Assistant Production Manager:
Adèle Tvrdy
Assistant Sound Editor:
Valère Raigneau
Assistant Unit Manager:
Romain Zuber
Author:
Anne-Isabelle Lacassagne
Boom Operator:
Lucie Marty
Dialogue Editor:
Valère Raigneau
Director:
Virginie Sauveur
Director of Photography:
Noémie Gillot
Editor:
Thibaut Damade
Electrician:
Florian Desobeaux
First Assistant "B" Camera:
Agnes Jeanneau
Foley Artist:
Nicolas Fioraso
Foley Recordist:
Jérémy Babinet
Gaffer:
Adrien Chata
Key Grip:
Eric Fodera
Key Makeup Artist:
Michèle Constantinides
Music:
Nathaniel Méchaly
Music Arranger:
Sebastien Baret
Producer:
Bruno Levy
Production Director:
Amaury Serieye
Script Supervisor:
Julie Vasconi
Sound Editor:
Benjamin Rosier
Sound Mixer:
Mathieu Leroy
Sound Re-Recording Mixer:
Éric Bonnard
Steadicam Operator:
Marc Bénoliel
Guillaume Quilichini
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.