A work in constant progress (and occasional regress).
Release Date:
February 13, 2023
Original Title:
Splinter
Genres:
Mystery | Thriller
Production Companies:
Dazzling Urbanite
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 17
Benjamin can’t really remember life before the plane. Today, his entire world is the size of a customized 747, refurbished to comfortably house him. And the crew that caters to his every need...save one: his freedom. Because there’s something wrong with Benjamin. Benjamin is a splinter in the world. And so he remains, skybound. For ever and for always. At least, that was the plan. Until today.
Art Direction:
Kati Simon
Associate Producer:
Shirley Fan Zhang
Best Boy Electric:
Aaron Bennett
Ryker Wells
Best Boy Grip:
Dom Ellis
Cinematography:
Keitumetse Mokhonwana
Colorist:
Chadwick B. Williams
Costume Designer:
Hayley McCune
Dialogue Editor:
Aaron Cross
Director:
Marc Bernardin
Editor:
Joshua Wilmott
First Assistant Camera:
Briana Johnson
Mike Ross
First Assistant Director:
Kyle Smithers
Gaffer:
Chris Bond
Key Grip:
Anne Williams
Key Makeup Artist:
Red Phallon
Leadman:
Cassie Lavo
Makeup & Hair Assistant:
Luis Ramirez
Mix Technician:
Derek Alan Jones
David Tichauer
Music:
Sunna Wehrmeijer
Music Score Producer:
Bear McCreary
Producer:
Carrie Finn
Kyle Smithers
Rachel Kiri Walker
Production Designer:
Ariel Vida
Script Supervisor:
Merina Seidel
Second Assistant Camera:
Kalea Calloway
Joe Post
Gee Young Moon
Second Assistant Director:
Mollie Lemm
Set Decoration:
Kristen Semedo
Sound Recordist:
Justin Fox
Special Effects Makeup Artist:
Ken Calhoun
Still Photographer:
Richard Bernardin
Storyboard Artist:
Dennis Calero
Stunt Coordinator:
Hymnson Chan
Stunts:
James Croak
Nykki McGee
Tiger Sheu
Tamiko Brownlee
Supervising Sound Editor:
Bryan Parker
Swing:
Justin Thatcher
Title Designer:
Rachel Bennett
Unit Production Manager:
Shirley Fan Zhang
Visual Effects Supervisor:
Johnson Thomasson
Wardrobe Assistant:
Andrew Pedro
Writer:
Marc Bernardin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.