A work in constant progress (and occasional regress).
Release Date:
October 16, 2024
Original Title:
L'Amour ouf
Genres:
Crime | Drama | Romance
Production Companies:
Artémis Productions
Chi-Fou-Mi Productions
Cool Industrie
France 2 Cinéma
Proximus
StudioCanal
Trésor Films
VOO & Be tv
Production Countries:
Belgium | France
Ratings / Certifications:
AU: MA 15+ CZ: 12+ DE: 16 ES: 18 FR: 16 IL: 16 KR: 15 NL: 16 RU: 18+ SG: M18
Runtime: 166
Local rebellious teenager Clotaire falls for his schoolmate Jackie, but gang violence leads him to a darker destructive path. After years apart, the star-crossed lovers discover that every path they've taken leads them back together.
ADR Supervisor:
Frédérique Liébaut
Additional Grip:
Kevin Strauch
Additional Hairstylist:
Valérie Tomasi
Assistant Art Director:
Marianne Bras
Manon Crespin
Assistant Camera:
Clara Peyrebère
Assistant Costume Designer:
Marine Dupont
Assistant Hairstylist:
Réjane Selmane
Assistant Production Design:
Delphine Mabed
Assistant Production Manager:
Marie David
Emma de Thorey
Basile Healy
Marie Houvenaghel
Julien Voisin
Maxime Walbecq
Assistant Script:
Albane Bisleau
Assistant Set Decoration:
Yazid Doudou
Assistant Unit Manager:
Jean-Christophe Gastaudo
Boom Operator:
Simbad Aguttes
Clément Trahard
Simon Prieur
Casting:
Michaël Laguens
Casting Director:
Elsa Pharaon
Costume Design:
Isabelle Pannetier
Dialogue:
Gilles Lellouche
Dialogue Editor:
Cédric Deloche
Digital Compositor:
Joan Azpeitia
Luigi Bosso
Mathieu Castella
Alexandre Cerf
Jeremie Costard
Laetitia Evens
Alexis Faton
Olivier Gilles
Vadim Gumerov
Sander Jansen
Emmanuel Le Courbe
Tomasz Liksza
Louis Lion
Olivier Lukaszczyk
Tommaso Lunardi
Maud Maryn
Samson Michel
Fredrik Monteil
Jelmen Palsterman
Arda Sekerci
Daan Tanghe
Director:
Gilles Lellouche
Director of Photography:
Laurent Tangy
Editor:
Simon Jacquet
Electrician:
Romain Canty
Malik Elbartal
Guillaume Wojciechowski
Focus Puller:
Jean-Christophe Allain
Foley Artist:
Florian Penot
Foley Editor:
Lucas Le Néouanic
Foley Mixer:
Thibaut Macquart
Hair Department Head:
Romain Marietti
Hairstylist:
Marion Labaye
Julien Raevesteyn
Karine Sachot
Key Hair Stylist:
Véronique Duez
Location Scout:
Alexandre Billon
Makeup Artist:
Gaëlle Mennesson
Aya Yabuuchi
Makeup Department Head:
Myriam Hottois
Novel:
Neville Thompson
Original Music Composer:
Jon Brion
Post Production Coordinator:
Christophe Belena
Producer:
Alain Attal
Hugo Sélignac
Production Design:
Jean-Philippe Moreaux
Production Manager:
Julien Chaon
Aurélie Joye
Emilie Maggiar
Property Buyer:
Flora Kuentz
Property Master:
Luca Crepelle
Screenplay:
Gilles Lellouche
Audrey Diwan
Ahmed Hamidi
Julien Lambroschini
Script Supervisor:
Julie Darfeuil
Second Assistant Art Director:
Natasha López Lucero
Second Assistant Camera:
Samuel Beal-Rainaldy
Lucas Leclerc
Second Assistant Director:
Nicolas Bureau
Zineb Tamazit
Set Designer:
Ricardo Jacobo
Sound Editor:
Pablo Chazel
Simon Poupard
Sound Mixer:
Cédric Deloche
Sound Re-Recording Mixer:
Marc Doisne
Mikhaël Kurc
Special Effects Coordinator:
Colin Philippi
Special Effects Supervisor:
François Philippi
Special Effects Technician:
Valentin Berthon
Bruno Lefebvre
Stunt Coordinator:
Lucas Dollfus
Stunts:
Dustin Audibert
Jamel Blissat
Kevin Cetout
Joffrey Darel
David Grolleau
Teddy Ponceau
Ionescu Roberta
Bastien Trouvé
Supervising Sound Editor:
Jon Goc
Gwennolé Le Borgne
Third Assistant Director:
Camille Smagghe
Charlotte Lezec Lellouche
Visual Effects Coordinator:
Maïlys Parmentier
Ambre Vanneste
Visual Effects Editor:
Océane Pellé
Anna Fusacchia
Visual Effects Producer:
Solène Collon
Visual Effects Supervisor:
Cédric Fayolle
Morgan Hardy
Vincent Perzo
Weapons Master:
Paul Bourcart
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.