Maria Montessori (2023) [N/A]

Release Date:
November 5, 2023

Original Title:
La nouvelle femme

Alternate Titles:
La nuova donna
Монтессори: Воспитание любовью

Genres:
Drama | History

Production Companies:
Geko Films
Tempesta

Production Countries:
France | Italy

Ratings / Certifications:
AU: M  CZ: U  ES: 7  LT: N-13  NL: 12  SE: 7 

Runtime: 100

Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.

Additional information:

The Search Form


Best Boy Electric:
Giorgio Innocenzi

Best Boy Grip:
Emanuele Salvatore

Boom Operator:
Antoine Viallefond

Casting Director:
Sandie Perez
Stefania Valestro
Marco Matteo Donat-Cattin
Alessandra Maccotta

Choreographer:
Georgia Ives

Co-Producer:
Carlo Cresto-Dina

Costume Designer:
Agnès Noden

Decorator:
Pascale Consigny

Dialogue Editor:
Alexis Meynet

Director:
Léa Todorov

Director of Photography:
Sébastien Goepfert

Editor:
Esther Lowe

Electrician:
Thibault Bru
Andrea Festugato
Milosz Kubok
Alessandro Pontillo
Johan Van Der Voort

Extras Casting:
Manon Guichard

Extras Casting Assistant:
Bérangère Pennec

First Assistant Camera:
Jonas Gayraud

First Assistant Director:
Justinien Schricke

Gaffer:
Etienne Lesur

Grip:
Clément Hervouet

Key Grip:
Stéphane Germain
Pierre Marion-Andrès
Marco Moroni

Key Makeup Artist:
Simon Livet

Line Producer:
Nicoletta Maggi

Location Scout:
Gwenaëlle Duriaud

Makeup Artist:
Laura Emmanuelle Darracq
Clémentine Douel

Original Music Composer:
Rémi Boubal

Producer:
Grégoire Debailly

Production Director:
Lucie Bouilleret

Script:
Julie Dupeux-Harlé

Second Assistant Camera:
Francesco Di Matteo
Victoria Massih

Second Assistant Director:
Jeanne Tassy

Sound:
Olivier Pelletier

Sound Editor:
Charlotte Butrak

Sound Engineer:
Cédric Berger

Sound Re-Recording Mixer:
Samuel Aïchoun

Steadicam Operator:
Vito Calabrese

Still Photographer:
Simona Pampallona

Writer:
Léa Todorov

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.