A work in constant progress (and occasional regress).
Release Date:
March 15, 2023
Original Title:
Ailleurs si j'y suis
Genres:
Comedy | Drama
Production Companies:
Box Productions
Good Fortune Films
Tarantula
Production Countries:
Belgium | France | Luxembourg | Switzerland
Ratings / Certifications:
CH: 16 FR: TP
Runtime: 103
Unable to meet all the demands of his job and family anymore, Mathieu feels he's in a mid-life crisis and hurriedly leaves for the forest. His relatives are left by themselves, faced with his sudden departure and their choices.
ADR Recordist:
Ken Nnganyadi
Assistant Editor:
Nina Haditalab
Assistant Location Manager:
Luis Iglesias Alvarez
Assistant Makeup Artist:
Charlotte Dutilleux
Associate Producer:
Philippe Logie
Best Boy Grip:
Antoine Doyen
Boom Operator:
Antoine Vandendriessche
Lieven Verbraeken
Casting:
Michaël Bier
Dialogue Editor:
Valène Leroy
Director:
François Pirot
Director of Photography:
Florian Berutti
Editor:
Nicolas Rumpl
Electrician:
Christophe Alessi
Teo Parma
First Assistant Director:
Jean-François Ravagnan
Foley Artist:
Pierre Greco
Foley Editor:
Selıa Çakir
Grip:
Davy Meunier
Key Grip:
Corentin Geisen
Key Makeup Artist:
Véronique Dubray
Location Assistant:
Joseph Bellot
Makeup Department Head:
Aurélie Elich
Post-Production Manager:
Thomas Meys
Michaël Cinquin
Production Accountant:
Johan Libin
Production Sound Mixer:
Carlo Thoss
Props:
Barbara Prati
Script Supervisor:
Alexia Chassot
Second Assistant Director:
Xavier Schoonejans
Sound Editor:
Étienne Curchod
Special Effects Supervisor:
Jean-Christophe Bourgeois
Steadicam Operator:
Vladimir Peeters
Nicolas Savary
Still Photographer:
Roxanne Peguet
Video Assist Operator:
Mathilde Warnier
Wardrobe Coordinator:
Mathilde Koch
Writer:
François Pirot
Emmanuel Marre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.