A work in constant progress (and occasional regress).
Release Date:
February 9, 1990
Original Title:
Hard to Kill
Alternate Titles:
Duro da uccidere
Echec et mort - Hard to kill
Hard to Kill - Ein Cop schlägt zurück
Uden Nåde
Wygrać ze śmiercią
복수무정
Genres:
Action | Crime | Drama | Thriller
Production Companies:
Lee Rich Productions
Warner Bros. Pictures
Production Countries:
Spain | United States of America
Ratings / Certifications:
AU: R 18+ DE: 18 FR: 12|16 GB: 18 GR: 16 HU: 16 IE: 18 NL: 16 NO: 18 SE: 15 US: R
Runtime: 95
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death
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Art Direction:
Louis M. Mann
Associate Producer:
Steven McKay
Camera Operator:
John R. Leonetti
Casting:
Glenn Daniels
Casting Assistant:
Ruth Lambert
Co-Producer:
Jonathan Sheinberg
Director:
Bruce Malmuth
Director of Photography:
Matthew F. Leonetti
Editor:
John F. Link
Executive Producer:
Lee Rich
Michael I. Rachmil
Fight Choreographer:
Steven Seagal
First Assistant Director:
Douglas E. Wise
Gaffer:
Pat Blymyer
Hairstylist:
Anthony Esposito
Location Manager:
Richard Rosenberg
Makeup Artist:
Alan Friedman
Alan Fama
Music Editor:
John LaSalandra
Original Music Composer:
David Michael Frank
Producer:
Bill Todman Jr.
Gary Adelson
Joel Simon
Production Design:
Robb Wilson King
Screenplay:
Steven McKay
Script Supervisor:
Sonny P. Filippini
Set Decoration:
Martin Price
Special Effects:
Russel Hessey
Still Photographer:
Christine M. Loss
Stunt Coordinator:
Buddy Joe Hooker
Stunt Double:
Gayle Hooker
Stunts:
Kenny Endoso
Monty Jordan
Joseph Michael Roth
Clarke Coleman
Jeff Imada
Gene LeBell
Gregory J. Barnett
Unit Production Manager:
Stephen J. Barnett
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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