Home

The Offering (2022) [R]

Release Date:
September 23, 2022

Original Title:
The Offering

Alternate Titles:
Abizū lāsts
Abyzou
Abyzou - Keine Seele ist sicher
Abyzu
The Devil's Offering
มันสิงอยู่ในร่าง

Genres:
Drama | Horror

Production Companies:
Millennium Media

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  GB: 15  IL: 16  NL: 16  RU: 18+  TR: 16+  US: R 

Runtime: 93

No soul is safe.

Overview from TheMovieDB

In the wake of a young Jewish girl’s disappearance, the son of a Hasidic funeral director returns home with his pregnant wife in hopes of reconciling with his father. Little do they know that directly beneath them in the family morgue, an ancient evil with sinister plans for the unborn child lurks inside a mysterious corpse.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Mixer:
Alistair Bolt

ADR Supervisor:
Adrian Gougov
Gord Hillier

Art Direction:
Ivan Ranghelov

Assistant Dialogue Editor:
Zahary Borisov

Assistant Editor:
Peter Gahan

Best Boy Electric:
Stanislav Dimitrov

Best Boy Grip:
Razvan Paslaru

Boom Operator:
Petar Kadiiski

Camera Operator:
Ivaylo Ivanov

Casting:
Dan Hubbard
Mariana Stansheva

Casting Associate:
Maia von Hurter
Rory Okey

Co-Executive Producer:
Lonnie Ramati
Victor Hadida

Costume Design:
Anna Gelinova

Digital Compositor:
Diyan Penev
Velislava Mihailova
Gordana Krsteva
Marinela Racheva
Stoimen Stoyanov
Mark Millena
Mihail Ahchiev
Pietro Orlandi
Vladimir Vatev
Carlo Orlandi

Digital Intermediate:
Jivko Chakarov

Digital Intermediate Colorist:
Svetoslav Mateev

Director:
Oliver Park

Director of Photography:
Lorenzo Senatore

Editor:
Simon Pearce
Michael J. Duthie

Electrician:
Svetoslav Tcheresharski
Martin Nazlamov

Executive Producer:
Trevor Short
Boaz Davidson
Tanner Mobley
Avi Lerner

First Assistant "A" Camera:
Kaloyan Nedelchev

First Assistant "B" Camera:
Paula Nenova

First Assistant "C" Camera:
Samuel Cig

First Assistant Camera:
Ivelin Metodiev

First Assistant Director:
Vessela Bannzurkova

Foley Artist:
Tapio Liukkonen

Gaffer:
Hristo Idakiev

Grip:
Chavdar Simeonov

Key Grip:
Ian Bird

Key Makeup Artist:
Vera Boyadzhieva

Line Producer:
Veselin Karadjov

Makeup Designer:
Yana Stoyanova

Music Arranger:
Daniel Wehr

Music Programmer:
Daniel Wehr

Music Sound Design and Processing:
Max Blomgren

Music Supervisor:
Ryan Svendsen

Musician:
Daniel Wehr

Orchestrator:
Jared Banta

Original Music Composer:
Christopher Young

Principal Costumer:
Marina Proykova

Producer:
Les Weldon
Hank Hoffman
Yariv Lerner
Jonathan Yunger
Jeffrey Greenstein
Sam Schulte

Production Coordinator:
Valeria Marinova

Production Design:
Philip Murphy

Publicist:
Erik Bright

Script Supervisor:
Adriana Kyulevchelieva

Second Assistant "B" Camera:
Vasil Paunov

Second Assistant Camera:
Borislav Belberov

Second Assistant Director:
Galina Kyuchukova

Second Unit Director:
Simon Pearce
Jonathan Yunger

Set Decoration:
Arta Tozzi

Set Dresser:
Peter Krumov
Bogdan Bogdanov

Sound Designer:
Ryan Nowak
Daniel Wehr

Sound Effects Editor:
Nikolay Bakalov

Sound Mixer:
Emil Evtimov

Sound Re-Recording Assistant:
Matt Bainbridge

Sound Re-Recording Mixer:
Gord Hillier

Standby Property Master:
Martin Genchev

Steadicam Operator:
Nikolai Kerezov

Story:
Jonathan Yunger

Stunt Coordinator:
Kaloian Vodenicharov

Stunts:
Kuber Dobrev
Aleksandra Dragova

Supervising Sound Editor:
Kris Casavant

Third Assistant Director:
Kristina Sakizli

Transportation Coordinator:
Zahari Todorov

VFX Supervisor:
Filippo Robino

Visual Effects:
Nick Peshunoff
Stanislav Draganov
Todor Ivanov
Yulian Velkov
Silviya Mariyanova
Georgi Ugrinov

Visual Effects Editor:
Nikolay Pachov

Visual Effects Producer:
Mariano Melman Carrara

Visual Effects Supervisor:
Veselina Georgieva

Writer:
Hank Hoffman

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.