A work in constant progress (and occasional regress).
Release Date:
March 8, 2012
Original Title:
Cleanskin
Alternate Titles:
Amenaza terrorista
Cleanskin: Jogo de Interesses
Entrenado para matar
Les Soldats De L'ombre
Menace d'état
Terrorysta
Чистая кожа
Genres:
Crime | Drama | Thriller
Production Companies:
The Salt Company
UK Film Studio
Production Countries:
United Kingdom
Ratings / Certifications:
AU: MA15+ BE: 16 BR: 16 CA: 18A DE: 16 GB: 15 HU: 16 IE: 18 NL: 18 RO: 18+ US: R
Runtime: 108
While working undercover as a bodyguard to arms dealer Harry, former-soldier-turned-secret-service-agent Ewan survives a bloody shootout with a member of an Islamic terrorist cell who steals Harry's briefcase full of Semtex explosives and escapes. Ewan's spymasters task Ewan with hunting down the cell members and retrieving the briefcase.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Armorer:
Sascha Robey
Richard Hooper
Joss Skottowe
Art Direction:
Jenny Ray
Sonya Yu
Assistant Art Director:
Pedro Moura
Assistant Camera:
Moncho Aldamiz
Assistant Costume Designer:
Kate Thomson
Assistant Editor:
Alex Martin
Boom Operator:
Garie Kan
Don 'Chudi' Nelson
Robin Gerrard
Camera Loader:
David Mills
Roland C. Phillips
Camera Operator:
Rob Llewellyn
Liam Iandoli
Casting:
Elaine Grainger
Colorist:
Brian Krijgsman
Costume Assistant:
Adrienn Lakatos
Costume Design:
Maja Meschede
Dialogue Editor:
Jerry Richards
Digital Intermediate:
Tony Ray
Paul J. Wright
Digital Intermediate Producer:
Julie Harding
Director:
Hadi Hajaig
Director of Photography:
Ian Howes
Dolby Consultant:
Robert Karlsson
Editor:
Hadi Hajaig
First Assistant Director:
Jude Campbell
Focus Puller:
Ossian Bacon
Karl Hui
Mark Sneddon
Foley Artist:
George Pinnock
Gaffer:
Henry Howes
Kevin Day
Jonathan Spencer
Grip:
Steve Manningham
Kevin Foy
Hairstylist:
John Liu
Location Manager:
Ben O'Farrell
David Colenutt
Main Title Designer:
Aaron Trinder
Makeup Artist:
Annabelle Miller
Nikki Belding
Laura Milligan
Alexandra Sanders
Hannah Edwards
Sally Alcott
Makeup Designer:
Dominic Webb
Makeup Effects Designer:
Stuart Conran
Music:
Simon Lambros
Music Supervisor:
Ann Marie Shields
Online Editor:
Scott Dawkins
Producer:
Hadi Hajaig
Production Accountant:
Carleen Beadle
Production Coordinator:
Sanjay Sharma
Lynn Scrimgeour
Production Design:
Humphrey Jaeger
Stéphane Collonge
Production Manager:
Farah Abushwesha
John Adams
Mira Bajagic
Production Secretary:
Helen Taylor
Production Sound Mixer:
Andrew Quinney
Property Master:
Katya Guy
Public Relations:
Louisa Bradshaw
Louisa Bradshaw
Janine Azern
Script Supervisor:
Rebecca Sheridan
Second Assistant Director:
Ben Burt
Paula Turnbull
Emily Perowne
Set Dresser:
Hugh Fottrell
James Morrall
Sound Designer:
Tom Parsons
André Jacquemin
Sound Re-Recording Mixer:
Craig Irving
Special Effects Supervisor:
Colin Gorry
Special Effects Technician:
Gary Cohen
Joseph Geday
Paul Mann
David Payne
Standby Art Director:
Max Berman
Sarah Powell
Steadicam Operator:
Matt Allsop
Still Photographer:
Stephen Brayne
James Eckersley
Storyboard Artist:
Tony Chance
Stunt Coordinator:
Peter Pedrero
Video Assist Operator:
Frank Macauley
Visual Effects Supervisor:
Aaron Trinder
Wardrobe Assistant:
Sarah Jane Thomson
Jessica Snyder
Naomi Howarth
Writer:
Hadi Hajaig
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.