A work in constant progress (and occasional regress).
Release Date:
August 9, 2002
Original Title:
FearDotCom
Alternate Titles:
Fear Dot Com
Fear dot Com
Fear.com
Feardotcom
Félelem.com
Medo Ponto com Br
MedoPontoCombr
Miedo.punto.com
Paura.com
Phovos.com
Terreur.com
Terreur.point.com
www.strach
Страх.Com
Страх.com
Genres:
Crime | Horror | Thriller
Production Companies:
ApolloMedia
DoRo Fiction Film
Film Fund Luxembourg
Filmyard Underwaterdeco
Franchise Pictures
MDP Worldwide
Milagro Films
Signature Pictures
The Carousel Picture Company
Warner Bros. Pictures
Production Countries:
Canada | Germany | Luxembourg | United Kingdom | United States of America
Ratings / Certifications:
DE: 16 FR: 16 HU: 18 IE: 18 NL: 16 US: R
Runtime: 101
When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike Reilly teams with ambitious Department of Health researcher Terry Huston to uncover the cause behind their violent and inexplicable deaths. The only common factor shared by the victims? Each died exactly 48 hours after logging onto a website called feardotcom.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR & Dubbing:
Susan French
Additional Photography:
Frank Wegerhoff
Art Department Coordinator:
Frank Godt
Art Direction:
Markus Wollersheim
Regine Freise
Assistant Art Director:
Denis Chabot
Casting:
Sue Jones
Anja Dihrberg
Rosina Bucci
Director:
William Malone
Director of Photography:
Christian Sebaldt
Dolby Consultant:
James Seddon
Editor:
Alan Strachan
Executive Producer:
Frank Hübner
Rudy Cohen
Andrew Stevens
Elie Samaha
David Saunders
Romain Schroeder
First Assistant Director:
Charlie Watson
Gaffer:
John Donoghue
Location Manager:
Pascal Charlier
Philip James Morgan
Makeup Artist:
Zoltan Elek
Music Editor:
Andrew Glen
Stan Jones
Original Music Composer:
Nicholas Pike
Picture Car Coordinator:
Réal Hamel
Producer:
Limor Diamant
Moshe Diamant
Production Design:
Jérôme Latour
Property Master:
Paul Purdy
Scenic Artist:
Sulamith Ater
Grahame Ménage
Screenplay:
Josephine Coyle
Script Supervisor:
Catherine Allinson
Sheila McNaught
Set Decoration:
Michaela Quast
Mona Kino
Louise Tremblay
Sound Designer:
Nick Adams
Sound Re-Recording Mixer:
Peter Maxwell
Howard Bargroff
Dean Humphreys
Special Effects Coordinator:
Ryal Cosgrove
Special Effects Supervisor:
Harry Wiesenhaan
Steadicam Operator:
Alessandro Bolognesi
Still Photographer:
Etienne Braun
Story:
Moshe Diamant
Stunt Coordinator:
Xiong Xinxin
Stunt Double:
Vanessa Wieduwilt
Stunts:
Nathalie Girard
Rob de Groot
Babette Schimanek
Nicolas de Pruyssenaere
Stéphane Lefebvre
Ken Yip Wing-Kin
Supervising Sound Editor:
Martin Evans
Visual Effects Art Director:
Igor Chevalier
Visual Effects Editor:
Daryl Jordan
Visual Effects Producer:
Stephen Elson
Alan Church
Simon Giles
Cristiana Rumori
Visual Effects Supervisor:
Melanie Göggelmann
Alessandro Tibiletti
Giorgio Prandoni
Colin Laski
Tim McGovern
Enrico Pieracciani
Frank Wegerhoff
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.