A work in constant progress (and occasional regress).
Release Date:
March 3, 2014
Original Title:
16 ноября 1581 - 16 ноября 2013. Эры милосердия
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 52
Ilya Repin's painting "Ivan the Terrible and his son Ivan on November 16, 1581" (another name "Ivan the Terrible kills his Son"), the most famous to us from school textbooks, was banned by Emperor Alexander III in 1885, and thus became the first picture to be censored in the Russian Empire. 130 years later, already in modern Russia, a group of historians and activists appealed to the Minister of Culture of the Russian Federation with a request to remove the canvas from the Tretyakov Gallery. Is there a causal relationship between the past and the present?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.