A work in constant progress (and occasional regress).
Release Date:
November 18, 2022
Original Title:
Retour à Séoul
Alternate Titles:
All the People I'll Never Be
Atgriešanās Seulā
Back to Seoul
Kotiinpaluu
No Return
Retorno a Seul
Retour à Séoul
Return To Seoul
Sans retou
Seul'a Dönüş
Tillbaka till Seoul
คืนรังโซล
回到首爾
回首爾後
리턴 투 서울
Genres:
Drama
Production Companies:
Anti-Archive
Aurora Films
BeTV
Frakas Productions
MereCinema
VOO
Vandertastic Films
Visual Walkabout
Production Countries:
Belgium | Cambodia | France | Germany | Romania | South Korea
Ratings / Certifications:
DE: 12 FR: TP GB: 15 ID: 17+ IE: 15A KR: 15 LT: N-13 MX: C NO: 9 RU: 18+ SE: 15 SG: NC16 TH: 15 US: R
Runtime: 119
After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.
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Adaptation:
Im Na-moo
Associate Producer:
Davy Chou
Steve Chen
Boom Operator:
Barbara Juniot
Costume Design:
Claire Dubien
Director:
Davy Chou
Director of Photography:
Thomas Favel
Editor:
Dounia Sichov
Executive Producer:
Christophe Hollebeke
Diana Paroiu
First Assistant Director:
Camille Fleury
Foley Artist:
Elias Vervecken
Foley Mixer:
Marina Lerchs
Gaffer:
Bertrand Prévot
Kang Dong-geon
Line Producer:
Bang Han-sol
Makeup Artist:
Pascale Guégan
Kim Ju-young
Martial Arts Choreographer:
Jeong Yoon-heon
Original Music Composer:
Jérémie Arcache
Christophe Musset
Producer:
Charlotte Vincent
Katia Khazak
Production Design:
Choi Chi-youl
Bo Koung Shin
Script Consultant:
Laure Badufle
Sound Designer:
Vincent Villa
Sound Re-Recording Mixer:
Vincent Villa
Sound Recordist:
Dirk Bombey
Visual Effects:
Yannig Willmann
Writer:
Davy Chou
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.