Home

See Us Come Together (2022) [N/A]

Release Date:
February 25, 2022

Original Title:
See Us Come Together

Genres:
Documentary

Production Companies:
Mayday Multimedia
National Commission for Culture and the Arts

Production Countries:
Philippines

Ratings / Certifications:
 N/A

Runtime: 10

Overview from TheMovieDB

A collective reflection following the members of the Optodev Inc. Workers Union, tracing the story of the union's beginnings all the way to the present day COVID crisis. The documentary brings to focus what is essential to keep a country running in times of crisis. While the pandemic turned the spotlight on essential and frontline workers, what was essential to the workers of Optodev was their union.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Production

Cinematography:
Daniel Brian Sulicipan

Colorist:
Daniel Brian Sulicipan

Director:
Alyssa Suico

Editor:
Noah Loyola
Alyssa Suico

Sound Designer:
Alyssa Suico

Writer:
Alyssa Suico

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.