A work in constant progress (and occasional regress).
Release Date:
January 1, 1997
Original Title:
PERSPECTIVE OF POWER the movie
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 20
There is no dialogue or explanatory scenes at all, and the visuals unfold endlessly as information that appeals directly to the emotions rather than the feelings. The screen is divided into two halves and twice the usual amount of footage is shown, or the same image is shown one after another from different angles. As a result, the audience's brain comes to judge that the corpse is as beautiful as the body of a young woman who has just climbed out of a swimming pool. This film lets us experience a new relationship with images.
Art Direction:
Masayuki Sugiyama
Kenji Goda
Director:
Kenji Goda
Director of Photography:
Masashi Toyonaga
Script:
Kenji Goda
Masashi Toyonaga
Sound:
Masaru Suzuki
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.