A work in constant progress (and occasional regress).
Release Date:
September 13, 2024
Original Title:
My Old Ass
Alternate Titles:
マイ・オールド・アス 2人のワタシ
我的老屁股
Genres:
Comedy | Drama | Romance
Production Companies:
Indian Paintbrush
LuckyChap Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AR: +18 AU: MA 15+ BR: 18 CA: R DE: 16 ES: 18 FR: 18 GB: 15 IE: 15 JP: R18+ PL: 16 PR: R SG: R21 TH: 20 US: R VI: R
Runtime: 89
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
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"B" Camera Operator:
Mark Skinner
3D Artist:
Daniel Knight
ADR Mixer:
Andre Kelman
ADR Recordist:
Ehren Pfeifer
Additional Editor:
Gabi Arno
Art Direction:
Mathew Birtch
Assistant Grip:
John Harbic
Boom Operator:
Camille Kennedy
Business Affairs Coordinator:
Neil Mathieson
Christina Wood
Camera Trainee:
Youssef Ben Rajeb
Cast Driver:
Kenny Bowman
Casting:
Douglas Aibel
Casting Assistant:
Chelsea Brathwaite
Casting Associate:
Matthew Glasner
Choreographer:
Kyle Hanagami
Colorist:
Sean Coleman
Compositing Supervisor:
Joel Chambers
Compositor:
Iyi Tubi
Costume Assistant:
Alli Yeaton
Abby Shapiro
Costume Designer:
Tasha Goldthwait
Costume Supervisor:
Terra Stuart
Dialogue Editor:
Emilie Boucek
Digital Compositor:
Jeffrey King
Director:
Megan Park
Director of Photography:
Kristen Correll
Editor:
Jennifer Vecchiarello
Editorial Services:
Darren Hinchy
Executive Assistant:
Taylor Crowley
Executive Producer:
Daniel Bekerman
Bronte Payne
Megan Park
Finishing Producer:
Chris Dewolde
First Assistant "A" Camera:
Robert Tagliaferri
First Assistant Director:
Andrew Shea
First Assistant Production Coordinator:
Marissa Wong
Foley Artist:
Dawn Lewis
Tess Moir
Foley Recordist:
Mike Poisson
Gaffer:
Francis Andrew Butler
Grip:
Jake Gilmour
Hair Department Head:
Ashley Nay
Health and Safety:
Francesca Reid
Susan Love Foster
In Memory Of:
Jim Reeve
Key Hair Stylist:
Ciera Hearn
Key Makeup Artist:
Vanessa Smith
Key Rigging Grip:
Jassen Paradela
Lead Set Dresser:
Andrew Deutschlander
Legal Services:
Daniel L. Goldenberg
Avy Eschenasy
Makeup Department Head:
Megan Edwards Stone
Music Consultant:
Geoffrey Pope
Michael Kallin
Neal Desby
Music Editor:
Paul Intson
Music Supervisor:
Scotty Taylor
Original Music Composer:
Tyler Hilton
Post Production Supervisor:
Alex Ordanis
Producer:
Margot Robbie
Tom Ackerley
Josey McNamara
Steven M. Rales
Production Assistant:
Dave C. Hall
Rory Dann
Production Coordinator:
Lesley Myers
Madison Helpert
Production Design:
Zazu Myers
Production Executive:
Ali Moshref
Project Manager:
Leila White
Script Coordinator:
Lisa Antonecchia
Script Supervisor:
Consuelo Solar
Second Assistant Camera:
Josee Prud'Homme
Second Assistant Director:
Sarah Campbell
Set Costumer:
Vanessa Williams
Tiffany Wheaton
Set Decoration:
David Gruer
Set Designer:
Rebecca Reed
Sound Effects Editor:
Stefana Fratila
Stephen Barden
Sound Mixer:
Thomas Hayek
Sound Re-Recording Mixer:
Steve Moore
Lucas Roveda
Special Effects Supervisor:
Roy Savoy
Special Effects Technician:
Robyn Buffett
Stunt Coordinator:
Joseph Racki
Stunt Double:
Kaanchana Kerr
Stunts:
Bart Badzioch
Angela Kosteski
Amy Szoke
Transportation Coordinator:
Peter Singh
Visual Effects:
Minas Kotsopoulos
Visual Effects Supervisor:
Aaron Wright
Writer:
Megan Park
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.